| Emile Zola - Fiction - 2004 - 596 pages
The thirteenth novel in Émile Zola’s great Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity’s capacity ... | |
| Émile Zola - Fiction - 1998 - 486 pages
Eleventh book in the author's Rougon-Macquart cycle. | |
| Émile Zola - Fiction - 1999 - 406 pages
Contains English translations of sixteen short fiction stories by nineteenth-century French author Emile Zola. | |
| Émile Zola - Franco-Prussian War, 1870-1871 - 2000 - 596 pages
"La Debacle seeks to explain why the Second Empire ended in a crushing military defeat and revolutionary violence. It focuses on ordinary soldiers, showing their bravery and ... | |
| Émile Zola - Fiction - 1999 - 436 pages
Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola's most violent and explicit works ... | |
| Émile Zola - Domestic fiction - 1998 - 532 pages
L'Assommoir is part of the Rougon-Macquart series, a naturalistic history of two branches of a family traced through several generations. It focuses on the Paris taverns and is ... | |
| Émile Zola - Fiction - 1999 - 468 pages
This is the most autobiographical of the 20 novels in Zola's Rougon-Macquart series. It provides an insight into his friendship with Cezanne and presents an account of the ... | |
| Émile Zola - Fiction - 2005 - 206 pages
Set against the background of a town in Northern France, this novel tells the story of a love idyll between a poor embroideress and the son of a wealthy aristocratic family. | |
| Emile Zola - Fiction - 2005 - 324 pages
Zola presents a study of the teeming life which surrounds the great central markets of Paris. The heroine is Lisa Quenu, a daughter of Antoine Macquart, who has become ... | |
| Émile Zola - Biography & Autobiography - 1998 - 264 pages
Living novelist, Emile Zola. This book is the first to provide, in English translation, the full extent of Zola's writings on the Dreyfus Affair. It represents, in its ... | |
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