Joseph Andrews

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Wesleyan University Press, 1967 - Fiction - 389 pages
Contents Include: Book 1: Of writing Lives in General, and Particularly of Pamela - Of Mr. Joseph Andrews, His Birth, Parentage, Education and Great Endowments - Of Mr. Abraham Adams the Curate, Mrs. Slipslop the Chambermaid and Others - What Happened after their Journey to London - The Death of Sir Thomas Booby - How Joseph Andrews writ a Letter to His Sister Pamela - A Dialogue Between the Lady and her Maid - The Interview Between the Lady and Joseph - What Passed Between the Lady and Mrs Slipslop - Joseph Writes another letter - Of Several New matters not Expected - Containing many Surprising Adventures - What happened to Joseph During his Sickness at the Inn - Being Very Full of Adventures which Succeeded each Other at the Inn - Showing how Mrs. Tow-Wouse was a Little Mollified - The Escape of the Thief, Mr. Adam's Disappointment - A Pleasant Discourse between the two Parsons and the Bookseller - The History of Betty the Chambermaid and an Account of what Occasioned the Violent Scene in the Preceding Chapter - Book II: Of Divisions in Authors - A Surprising Instance of Mr. Adam's Short memory - The Opinion of Two Lawyers Concerning the Same Gentleman - The History of Leonora, or the Unfortunate Jilt - A Dreadful Quarrel which Happened at the Inn - Conclusion of the Unfortunate Jilt - A Very Short Chapter in which Parson Adams went a Great Way - A Notable Dissertation by Mr. Abraham Adams - In Which the Gentleman Discants on Bravery - Giving an Account of the Strange Catastrophe preceding - What happened to them While Before the Justice - A Very Delightful Adventure - A Dissertation Concerning High People and Low People - An Interview Between Parson Adams and Parson Trulliber - AnAdventure, the Consequence of a new Instance which parson Adams gave of his Forgetfulness - In Which Mr. Adams gave a much Greater Instance of the Honest simplicity of his Heart, than of his Experience in the Ways of this World - A Dialogue Between Mr. Abraham Adams and his Host - Book III: Matter Prefatory in Praise of Biography - A Night Scene, Wherein Several Wonderful Adventures Befel Adams and his Fellow-Travellers - In Which the Gentleman Realtes the History of his Life - A Description of Mr. Wilson's Way of Living. The Tragical Adventure of the Dod and other Grave Matters - A Disputation on Schools held on the Road - Moral Reflections by Joseph Andrews - A Scene of Rosting, very Nicely Adapted to the Present taste and Times - Which some Readers will think too Short and others too Long - Containing as Surprising and Bloody Adventures as can Be found in this or Perhaps any other Authentic History - A Discourse Between the Poet and the Player - The Exhortations of Parson Adams to his Friend in Affliction - More Adventures which we Hope will Please the reader - A Dialogue Between Mr. Abraham Adams and Mr. Peter Pounce - Book IV: The Arrival of Lady Booby and the rest at Booby-Hall - A Dialogue Between Mr. Abraham Adams and the Lady Booby - What Passed Between the Lady and Lawyer Scout - The Arrival of Mr. Booby and his Lady - Containing Justice Business - Of Which you are Desired to Read no More than you Like - Philosophical Reflections - A Discourse between Mr. Adams, Mrs. Adams, Joseph and Fanny - A Visit which the Polite Lady Booby and Her Polite Friend Paid to the Parson - The History of the Two friends - In Which the History is Continued - Where the Good-Natured Reader will seeSomething which will Give him No Great Pleasure - The History Returns to the Lady Booby - Containing Several Curious Night-Adventures - The Arrival of Gaffar and Gammar Andrews - Being the last, in Which this True History is Brought to a happy Conclusion

From inside the book

Contents

GENERAL INTRODUCTION
xv
TEXTUAL INTRODUCTION by FREDSON BOWERS
xxxix
JOSEPH ANDREWS
3
Copyright

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About the author (1967)

Henry Fielding, 1707 - 1754 A succcessful playwright in his twenties, Henry Fielding turned to the study of law and then to journalism, fiction, and a judgeship after his Historical Register, a political satire on the Walpole government, contributed to the censorship of plays that put him out of business. As an impoverished member of the upper classes, he knew the country squires and the town nobility; as a successful young playwright, the London jet set; as a judge at the center of London, the city's thieves, swindlers, petty officials, shopkeepers, and vagabonds. As a political journalist (editor-author of The Champion, 1739-1741; The True Patriot, 1745-1746; The Jacobite's Journal, 1747-1748; The Covent-Garden Journal, 1752), he participated in argument and intrigue over everything from London elections to national policy. He knowledgeably attacked and defended a range of politicians, from ward heelers to the Prince of Wales. When Fielding undertook writing prose fiction to ridicule the simple morality of Pamela by Samuel Richardson, he first wrote the hilarious burlesque Shamela (1741). However, he soon found himself considering all the forces working on humans, and in Joseph Andrews (1742) (centering on his invented brother of Pamela), he played with the patterns of Homer, the Bible, and Cervantes to create what he called "a comic epic poem in prose." His preface describing this new art form is one of the major documents in literary criticism of the novel. Jonathan Wild, a fictional rogue biography of a year later, plays heavily with ironic techniques that leave unsettled Fielding's great and recurring theme: the difficulty of uniting goodness, or an outflowing love of others, with prudence in a world where corrupted institutions support divisive pride rather than harmony and self-fulfillment. In his masterpiece Tom Jones (1749), Fielding not only faces this issue persuasively but also shows for the first time the possibility of bringing a whole world into an artistic unity, as his model Homer had done in verse. Fielding develops a coherent and centered sequence of events-something Congreve had done casually on a small scale in Incognita 60 years before. In addition he also relates the plot organically to character and theme, by which he gives us a vision of the archetypal good person (Tom) on a journey toward understanding. Every act by every character in the book reflects the special and typical psychology of that character and the proper moral response. In Tom Jones, Fielding affirms the existence of an order under the surface of chaos. In his last novel, Amelia (1751), which realistically examines the misery of London, he can find nothing reliable except the prudent good heart, and that only if its possessor escapes into the country. Fielding based the title character on his second wife, with whom he was deeply in love. However, ill himself, still saddened by the deaths of his intensely loved first wife and daughter, and depressed by a London magistrate's endless toil against corruption, Fielding saw little hope for goodness in that novel or in his informal Journal of a Voyage to Lisbon (1755). Shortly after traveling to Lisbon for his health, Fielding died at the age of 47, having proved to his contemporaries and successors that the lowly novel was capable of the richest achievements of art.

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