The Picture of Dorian Gray

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Penguin Books, Limited, Jul 5, 2002
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Great ending, and a story not easily forgotten. - Goodreads
Wilde's writing is beautiful. - Goodreads
Quite literally, Wilde's writing pleases the senses. - Goodreads
His writing is always clear and to the point. - Goodreads

Review: The Picture of Dorian Gray

User Review  - Paula - Goodreads

This book reminded me why I hate classics. Like Frankenstein, it starts out with a great premise: what if a portrait bore the brunt of age and sin, while the person remained in the flush of youth? How ... Read full review

Review: The Picture of Dorian Gray

User Review  - [Name Redacted By Goodreads Because Irrelevant to Review] - Goodreads

EDIT: I suspect this will be my last review on Goodreads. Oh, I'll probably still use the site to keep track of my readings, lists, etc. but i won't be writing any reviews for Goodreads to censor/use ... Read full review

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About the author (2002)

Flamboyant man-about-town, Oscar Wilde had a reputation that preceded him, especially in his early career. He was born to a middle-class Irish family (his father was a surgeon) and was trained as a scholarship boy at Trinity College, Dublin. He subsequently won a scholarship to Magdalen College, Oxford, where he was heavily influenced by John Ruskin and Walter Pater, whose aestheticism was taken to its radical extreme in Wilde's work. By 1879 he was already known as a wit and a dandy; soon after, in fact, he was satirized in Gilbert and Sullivan's Patience. Largely on the strength of his public persona, Wilde undertook a lecture tour to the United States in 1882, where he saw his play Vera open---unsuccessfully---in New York. His first published volume, Poems, which met with some degree of approbation, appeared at this time. In 1884 he married Constance Lloyd, the daughter of an Irish lawyer, and within two years they had two sons. During this period he wrote, among others, The Picture of Dorian Gray (1891), his only novel, which scandalized many readers and was widely denounced as immoral. Wilde simultaneously dismissed and encouraged such criticism with his statement in the preface, "There is no such thing as a moral or an immoral book. Books are well written or badly written. That is all." In 1891 Wilde published A House of Pomegranates, a collection of fantasy tales, and in 1892 gained commercial and critical success with his play, Lady Windermere's Fan He followed this comedy with A Woman of No Importance (1893), An Ideal Husband (1895), and his most famous play, The Importance of Being Earnest (1895). During this period he also wrote Salome, in French, but was unable to obtain a license for it in England. Performed in Paris in 1896, the play was translated and published in England in 1894 by Lord Alfred Douglas and was illustrated by Aubrey Beardsley. Lord Alfred was the son of the Marquess of Queensbury, who objected to his son's spending so much time with Wilde because of Wilde's flamboyant behavior and homosexual relationships. In 1895, after being publicly insulted by the marquess, Wilde brought an unsuccessful slander suit against the peer. The result of his inability to prove slander was his own trial on charges of sodomy, of which he was found guilty and sentenced to two years of hard labor. During his time in prison, he wrote a scathing rebuke to Lord Alfred, published in 1905 as De Profundis. In it he argues that his conduct was a result of his standing "in symbolic relations to the art and culture" of his time. After his release, Wilde left England for Paris, where he wrote what may be his most famous poem, The Ballad of Reading Gaol (1898), drawn from his prison experiences. Among his other notable writing is The Soul of Man under Socialism (1891), which argues for individualism and freedom of artistic expression. There has been a revived interest in Wilde's work; among the best recent volumes are Richard Ellmann's, Oscar Wilde and Regenia Gagnier's Idylls of the Marketplace , two works that vary widely in their critical assumptions and approach to Wilde but that offer rich insights into his complex character.

Peter Ackroyd was born in London in 1949. He graduated from Cambridge University and was a Fellow at Yale (1971-1973). A critically acclaimed and versatile writer, Ackroyd began his career while at Yale, publishing two volumes of poetry. He continued writing poetry until he began delving into historical fiction with The Great Fire of London (1982). A constant theme in Ackroyd's work is the blending of past, present, and future, often paralleling the two in his biographies and novels. Much of Ackroyd's work explores the lives of celebrated authors such as Dickens, Milton, Eliot, Blake, and More. Ackroyd's approach is unusual, injecting imagined material into traditional biographies. In The Last Testament of Oscar Wilde (1983), his work takes on an autobiographical form in his account of Wilde's final years. He was widely praised for his believable imitation of Wilde's style. He was awarded the British Whitbread Award for biography in 1984 of T.S. Eliot, and the Whitbread Award for fiction in 1985 for his novel Hawksmoor. Ackroyd currently lives in London and publishes one or two books a year. He still considers poetry to be his first love, seeing his novels as an extension of earlier poetic work.

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