The Works of Walt Whitman

Front Cover
Wordsworth Editions, 1995 - Poetry - 557 pages

With an Introduction and Bibliography by Stephen Matterson, Trinity College, Dublin.

Walt Whitman's verse gave the poetry of America a distinctive national voice. It reflects the unique vitality of the new nation, the vastness of the land and the emergence of a sometimes troubled consciousness, communicated in language and idiom regarded by many at the time as shocking.

Whitman's poems are organic and free flowing, fit into no previously defined genre and skilfully combine autobiographical, sociological and religious themes with lyrical sensuality. His verse is a fitting celebration of a new breed of American and includes 'Song of Myself', 'Crossing Brooklyn Ferry', the celebratory 'Passage to India', and his fine elegy for the assassinated President Lincoln, 'When Lilacs Last in the Dooryard Bloom'd'.

 

Contents

INSCRIPTIONS
3
Starting from Paumanok 1860 p
14
Song of Myself 1855 p
26
CHILDREN OF ADAM
86
CALAMUS
106
1
126
Song of the Open Road 1856 p
136
Crossing Brooklyn Ferry 1856 p
147
MEMORIES OF PRESIDENT LINCOLN
300
By Blue Ontarios Shore 1856 p
310
Reversals 1856 p
325
Proud Music of the Storm 1868 p
366
Prayer of Columbus 1874 p
381
WHISPERS OF HEAVENLY DEATH
399
Thou Mother with Thy Equal Brood 1872 p
410
FROM NOON TO STARRY NIGHT
417

Song of the Answerer 1855 p
153
A Song of Joys 1860 p
163
Song of the BroadAxe 1856 p
170
Song of the Exposition 1871 p
181
Song of the RedwoodTree 1874 p
191
A Song of the Rolling Earth 1856 p
203
BIRDS OF PASSAGE
209
A Broadway Pageant 1860? p
224
SEADRIFT
228
BY THE ROADSIDE
244
DRUMTAPS
256
SONGS OF PARTING
438
SANDS AT SEVENTY First Annex
454
GOODBYE MY FANCY Second Annex
479
OLD AGE ECHOES Posthumous Additions
496
UNCOLLECTED AND REJECTED POEMS
502
Poem of Remembrance for a Girl or a Boy of These States
509
Apostroph 1860 p
515
Hours Continuing Long Sore and HeavyHearted 1860
521
Bathed in Wars Perfume 1865 p
527
NOTES p
534
Copyright

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About the author (1995)

Walt Whitman was born on Long Island and raised in Brooklyn, New York, the son of a carpenter. He left school when he was 11 years old to take a variety of jobs. By the time he was 15, Whitman was living on his own in New York City, working as a printer and writing short pieces for newspapers. He spent a few years teaching, but most of his work was either in journalism or politics. Gradually, Whitman became a regular contributor to a variety of Democratic Party newspapers and reviews, and early in his career established a rather eccentric way of life, spending a great deal of time walking the streets, absorbing life and talking with laborers. Extremely fond of the opera, he used his press pass to spend many evenings in the theater. In 1846, Whitman became editor of the Brooklyn Eagle, a leading Democratic newspaper. Two years later, he was fired for opposing the expansion of slavery into the west. Whitman's career as a poet began in 1885, with the publication of the first edition of his poetry collection, Leaves of Grass. The book was self-published (Whitman probably set some of the type himself), and despite his efforts to publicize it - including writing his own reviews - few people read it. One reader who did appreciate it was essayist Ralph Waldo Emerson, who wrote a letter greeting Whitman at "the beginning of a great career." Whitman's poetry was unlike any verse that had ever been seen. Written without rhyme, in long, loose lines, filled with poetic lists and exclamations taken from Whitman's reading of the Bible, Homer, and Asian poets, these poems were totally unlike conventional poetry. Their subject matter, too, was unusual - the celebration of a free-spirited individualist whose love for all things and people seemed at times disturbingly sensual. In 1860, with the publication of the third edition on Leaves of Grass, Whitman alienated conventional thinkers and writers even more. When he went to Boston to meet Emerson, poet Henry Wadsworth Longfellow, essayist Oliver Wendell Holmes, and poet James Russell Lowell, they all objected to the visit. With the outbreak of the Civil War, Whitman's attentions turned almost exclusively to that conflict. Some of the greatest poetry of his career, including Drum Taps (1865) and his magnificent elegy for President Abraham Lincoln, "When Last in the Dooryard Bloom'd" (1865), was written during this period. In 1862, his brother George was wounded in battle, and Whitman went to Washington to nurse him. He continued as a hospital volunteer throughout the war, nursing other wounded soldiers and acting as a benevolent father-figure and confidant. Parts of his memoir Specimen Days (1882) record this period. After the war, Whitman stayed on in Washington, working as a government clerk and continuing to write. In 1873 he suffered a stroke and retired to Camden, New Jersey, where he lived as an invalid for the rest of his life. Ironically, his reputation began to grow during this period, as the public became more receptive to his poetic and personal eccentricities. Whitman tried to capture the spirit of America in a new poetic form. His poetry is rough, colloquial, sweeping in its vistas - a poetic equivalent of the vast land and its varied peoples. Critic Louis Untermeyer has written, "In spite of Whitman's perplexing mannerisms, the poems justify their boundless contradictions. They shake themselves free from rant and bombastic audacities and rise into the clear air of major poetry. Such poetry is not large but self-assured; it knows, as Whitman asserted, the amplitude of time and laughs at dissolution. It contains continents; it unfolds the new heaven and new earth of the Western world." American poetry has never been the same since Whitman tore it away from its formal and thematic constraints, and he is considered by virtually all critics today to be one of the greatest poets the country has ever produced.

Bibliographic information