"Michael Baxandall, Vision and the Work of Words "

Front Cover
Routledge, Jul 5, 2017 - Art - 204 pages
'The most important art historian of his generation? is how some scholars have described the late Michael Baxandall (1933-2007), Professor of the Classical Tradition at the Warburg Institute, University of London, and of the History of Art at the University of California, Berkeley. Baxandall?s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ?80s and ?90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall?s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today. This volume provides the most comprehensive assessment of Baxandall?s work to date, while drawing upon the archive of Baxandall papers recently deposited at the Cambridge University Library and the Warburg Institute.
 

Contents

The Place of FR Leavis in Michael Baxandalls Intellectual Formation
25
Pictorial Intelligence and Organic Intellectuals
49
4 Art History ReEnactment and the Idiographic Stance
69
5 Inferential Criticism and Kunstwissenschaft
91
6 The Presence of Light
107
7 Printing and Experience in EighteenthCentury Italy
117
Limewood Sculptors and A Grasp of Kaspar
141
9 Michael Baxandalls Stationing
157
Index
171
Plates
177
Copyright

Other editions - View all

Common terms and phrases

Bibliographic information