A Social History of Modern Art, Volume 2: Art in an Age of Bonapartism, 1800-1815In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice |
Contents
The Napoleonic Era 180015 | 15 |
The Iconography of Napoleon | 35 |
English Art in the Napoleonic Era | 97 |
France and Spain | 199 |
Napoleons Invasion of Prussia and the Rise | 315 |
The Political Foundations of the German | 357 |
Patrons of the New Movement | 385 |
Philipp Otto Runge | 448 |
Caspar David Friedrich | 525 |
Napoleon in Italy | 637 |
Other editions - View all
A Social History of Modern Art, Volume 2: Art in an Age of Bonapartism, 1800 ... Albert Boime No preview available - 1993 |
A Social History of Modern Art, Volume 2: Art in an Age of Bonapartism, 1800 ... Albert Boime No preview available - 1991 |
Common terms and phrases
afrancesados Arkona army Arndt artist Battle Battle of Trafalgar Bonaparte Capricho Carlos Caspar David Friedrich Christian church Constable's cultural decorative depicts Dresden emperor English Enlightenment father fatherland Fichte flowers France Francisco Goya Freemasonry French French Revolution Geister geology German Girodet Gneisenau Godoy Gothic Goya y Lucientes Goya's Greifswald Hamburger Kunsthalle hero idea ideal industrial Jacques-Louis David John Constable Joseph Mallord William Jovellanos Karl Friedrich Schinkel king Kosegarten land landscape Liberation light Madrid Mallord William Turner medieval Meléndez Valdés ment military moon motif mountain Napo Napoleon nature Ossian painter painting Paris patriotic patrons peasant period Perthes Philipp Otto Runge picture pietist political Pomerania popular portrait Prussian reform religion religious Revolution royal Rübezahl Rügen Runge's Salon scene Schelling Schinkel scientific sense sketch social Spain Spanish spirit Steffens Swedish Pomerania symbol Tieck tion troops unity Wackenroder wrote