Paradiso

Front Cover
Courier Dover Publications, May 18, 2017 - Fiction - 304 pages

The last great literary work of the Middle Ages and the first important book of the Renaissance, Dante's Divine Comedy culminates in this third and final section, Paradiso. The fourteenth-century allegory portrays a medieval perspective on the afterlife, tracing the poet's voyage across three realms—Hell, Purgatory, and Paradise—to investigate the concepts of sin, guilt, and redemption. Expressed in sublime verse, the trilogy concludes with this challenging and rewarding venture into the dwelling place of God, angels, and the souls of the faithful.
Guided by Beatrice, the incarnation of beatific love, Dante undergoes an intellectual journey from doubt to faith. Beatrice instructs the poet in scholastic theology as they pass through the nine spheres of Paradise to the Empyrean, a realm of pure light in which the redeemed experience the bliss of God's immediate presence. This edition features the renowned translation by American poet Henry Wadsworth Longfellow and serves as a companion volume to the Dover editions of Inferno and Purgatorio.
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Contents

or that of Mercury where are seen the Spirits
15
Ascent to the Third Heaven or that of Venus
22
St Thomas Aquinas recounts the Life
33
St Buonaventura recounts the Life
40
The Fifth Heaven or that of Mars where
47
seen the Spirits of Righteous Kings and Rulers
62
seen the Spirits of the Contemplative The
73
The Triumph of Christ 80 XXIV St Peter examines Dante upon Faith
84
St John examines Dante upon Charity
91
St Peters reproof of bad Popes The Ascent
98
The Tenth Heaven or Empyrean The River
105
St Bernard points out the Saints in
113
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About the author (2017)

Florentine poet Dante Alighieri (1265–1321) is best known for The Divine Comedy, a three-part epic poem that progresses from Hell (Inferno) to Purgatory to Paradise. Written in the vernacular, rather than Latin or Greek, Dante's masterpiece immediately found a wide audience; it is considered the greatest work of Italian literature and its author is regarded as the father of modern Italian.
Henry Wadsworth Longfellow (1807–1882), author of The Song of Hiawatha and other beloved poems, was Professor of Modern Languages at Harvard University.

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