Little Women: Meg, Joe, Beth and Amy

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Focus on the Family Publishing, 1999 - Fiction - 526 pages
Presented in their complete text and updated for easier reading, each story in the Great Stories Collection is truly unique. Each has been rigorously critiqued and selected for the quality of its Christian content, the value in its message, and its ability to bring and bind a family together. In-depth introductions detail both the authors and the times in which they lived. Many books feature original woodcut illustrations. Complete with thought-provoking questions, these books are keepsakes to be treasured for years to come. Perfect additions to the adult fiction section. Christmas won't be Christmas without any presents. So begins the tale that introduces readers to Meg, Jo, Beth, and Amy-four sisters who, despite the Civil War, manage to keep laughter on their lips and love in their hearts. Through illness and poverty, disappointment and sacrifice, the March sisters never forget what is truly important-their family.

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About the author (1999)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.

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