An Actor's Work

Front Cover
Routledge, Oct 4, 2016 - Performing Arts - 762 pages

Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre.

Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors.

The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century.

This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

 

Contents

The Supertask Throughaction
EMBODIMENT
Transition to Physical Embodiment
Physical Education
Voice and Speech
Perspective of the Actor and the Role
TempoRhythm
Logic and Sequence

Imagination
Concentration and Attention
Muscular Release
Bits and Tasks
Belief and the Sense of Truth
Emotion Memory
Communication
An Actors Adaptations and Other Elements Qualities Aptitudes and Gifts
Inner Psychological Drives
Inner Psychological Drives in Action
The Actors Inner Creative State
Physical Characteristics
The Finishing Touches
Charisma
Ethics and Discipline
The External Creative State in Performance
General Creative State in Performance
The System
APPENDICES
ENDNOTES
GLOSSARY OF KEY TERMS
AFTERWORD BY ANATOLY SMELIANSKY

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About the author (2016)

Konstantin Stanislavsky (1863-1938) was a Russian actor and theatre director. He was the co-founder (with Nemirovich-Danchenko) of the Moscow Art Theatre, which took the international theatre world by storm when he began producing the plays of Anton Chekhov in 1898.

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