A Portrait of the Artist as a Young Man and Dubliners

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Barnes & Noble Classics, 2004 - Fiction - 427 pages
A Portrait of the Artist as a Young Man and Dubliners, by James Joyce, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics
  • New introductions commissioned from today's top writers and scholars
  • Biographies of the authors
  • Chronologies of contemporary historical, biographical, and cultural events
  • Footnotes and endnotes
  • Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
  • Comments by other famous authors
  • Study questions to challenge the reader's viewpoints and expectations
  • Bibliographies for further reading
  • Indices & Glossaries, when appropriate
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. Widely regarded as the greatest stylist of twentieth-century English literature, James Joyce deserves the term "revolutionary." His literary experiments in form and structure, language and content, signaled the modernist movement and continue to influence writers today. His two earliest, and perhaps most accessible, successes--A Portrait of the Artist as a Young Man and Dubliners--are here brought together in one volume. Both works reflect Joyce's lifelong love-hate relationship with Dublin and the Irish culture that formed him.

In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book's inventive style is apparent from its opening pages, a record of an infant's impressions of the world around him--and one of the first examples of the "stream of consciousness" technique.

Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters--a group portrait. The interactions among them form one long meditation on the human condition, culminating with "The Dead," one of Joyce's most graceful compositions centering around a character's epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce's ambition to give his countrymen "one good look at themselves." Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.

About the author (2004)

James Joyce was born on February 2, 1882, in Dublin, Ireland, into a large Catholic family. Joyce was a very good pupil, studying poetics, languages, and philosophy at Clongowes Wood College, Belvedere College, and the Royal University in Dublin. Joyce taught school in Dalkey, Ireland, before marrying in 1904. Joyce lived in Zurich and Triest, teaching languages at Berlitz schools, and then settled in Paris in 1920 where he figured prominently in the Parisian literary scene, as witnessed by Ernest Hemingway's A Moveable Feast. Joyce's collection of fine short stories, Dubliners, was published in 1914, to critical acclaim. Joyce's major works include A Portrait of the Artist as a Young Man, Ulysses, Finnegans Wake, and Stephen Hero. Ulysses, published in 1922, is considered one of the greatest English novels of the 20th century. The book simply chronicles one day in the fictional life of Leopold Bloom, but it introduces stream of consciousness as a literary method and broaches many subjects controversial to its day. As avant-garde as Ulysses was, Finnegans Wake is even more challenging to the reader as an important modernist work. Joyce died just two years after its publication, in 1941.

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