The Three Musketeers

Front Cover
Barnes & Noble Classics, 2004 - Fiction - 816 pages
The Three Musketeers, by Alexandre Dumas, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:
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Mixing a bit of seventeenth-century French history with a great deal of invention, Alexandre Dumas tells the tale of young D’Artagnan and his musketeer comrades, Porthos, Athos and Aramis. Together they fight to foil the schemes of the brilliant, dangerous Cardinal Richelieu, who pretends to support the king while plotting to advance his own power. Bursting with swirling swordplay, swooning romance, and unforgettable figures such as the seductively beautiful but deadly femme fatale, Milady, and D’Artagnan’s equally beautiful love, Madame Bonacieux, The Three Musketeers continues, after a century and a half of continuous publication, to define the genre of swashbuckling romance and historical adventure.

Barbara T. Cooper is Professor of French at the University of New Hampshire. She is a member of the editorial boards of Nineteenth-Century French Studies and the Cahiers Alexandre Dumas and specializes in nineteenth-century French drama and works by Dumas.

About the author (2004)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

Bibliographic information