La Bête humaine

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Bookking International, 1995 - Fiction - 347 pages

No one can love her children like she does, can they?

With a wonderful husband, two animated kids and an extended family who regard her as one of their own, Ella counts as her blessings. Yet when her soul mate Joe tragically drowns, her life is turned upside down without warning, and she finds that the luck, which she had thought would last forever, has run out. When Joe's beautiful ex-wife, who three years earlier deserted their children, arrives at the funeral - Ella fears the worst. She is right to.
Ella discovers she must struggle with her own grief, whilst battling to remain with the children and the life which she loves. Questioning her own role as a mother, and trying to do what is right, all she is sure of is that she needs her family to make it through each day. Yet when pushed to the limits of love, Ella must decide whether she is, after all, the best mother for her children?

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About the author (1995)

Zola was the spokesperson for the naturalist novel in France and the leader of a school that championed the infusion of literature with new scientific theories of human development drawn from Charles Darwin (see Vol. 5) and various social philosophers. The theoretical claims for such an approach, which are considered simplistic today, were outlined by Zola in his Le Roman Experimental (The Experimental Novel, 1880). He was the author of the series of 20 novels called The Rougon-Macquart, in which he attempted to trace scientifically the effects of heredity through five generations of the Rougon and Macquart families. Three of the outstanding volumes are L'Assommoir (1877), a study of alcoholism and the working class; Nana (1880), a story of a prostitute who is a femme fatale; and Germinal (1885), a study of a strike at a coal mine. All gave scope to Zola's gift for portraying crowds in turmoil. Today Zola's novels have been appreciated by critics for their epic scope and their visionary and mythical qualities. He continues to be immensely popular with French readers. His newspaper article "J'Accuse," written in defense of Alfred Dreyfus, launched Zola into the public limelight and made him the political conscience of his country.

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