Good Wives

Front Cover
Penguin Adult, Sep 28, 1995 - Fiction - 314 pages
Three years from Little Women, the four March girls have developed into young adults, with their eyes directed towards the future. Meg embarks on wedded life with the carefree optimism of a new bride, yet all is not plain sailing. Aided by her mother's firm but gentle guidance and the harsh lessons which experience brings, Meg struggles towards the the goals of blissful marriage and motherhood. Meanwhile, her sister Jo dons the 'scribbling suits' and again tries for success in writing, but the young 'my lady' Amy discovers greater gifts than art in her travels abroad. Only the meek little Beth has no ambition beyond her home comforts and, though her burden is heaviest of all, she too discovers peace at last.

Other editions - View all

About the author (1995)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.

Bibliographic information