Little Women

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Little, Brown, 1968 - Juvenile Fiction - 524 pages
Part of the ANDRE DEUTSCH CLASSICS series, a classic story of four young women who struggle to overcome the trials of keeping up appearences whilst battling poverty and awaiting news of the fate of their father who is fighting the Civil War. Includes an introduction by Trevor McDonald.
 

Contents

Copyright PREFACE INTRODUCTION
PART FIRST
Playing Pilgrims
A Merry Christmas
The Laurence
Burdens
Being Neighborly
Beth Finds the Palace Beautiful
Castles in the
Secrets
A Telegram
Letters
Little Faithful
Dark Days
Amys Will
Confidential

Armys Valley of Humiliation
To Meets Apollyon
Meg Goes to Vanity Fair
The P C and P
Experiments
Camp Laurence
Laurie makes mischief and To Plaices Peace
Pleasant Meadows
Aunt March Settles the Question
PART SECOND
Copyright

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About the author (1968)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.

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