Twenty Years After

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Lightyear Press, 1985 - Fiction - 366 pages
Two decades have passed since the famous swordsmen triumphed over Cardinal Richelieu and Milady in The Three Musketeers. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is the titanic struggle with the son of Milady who wears the face of evil.

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Contents

The Phantom of Richelieu
3
III
11
Anne of Austria at Fortysix
17
Copyright

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About the author (1985)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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