Little Women

Front Cover
Collector's Library, 2004 - Fiction - 326 pages
'Little Women' is recognised as one of the best-loved classic children's stories of all time. Originally written as a 'girls' story', its appeal transcends the boundaries of time and age, making it as popular with adults as it is with young readers.
 

Selected pages

Contents

Playing Pilgrims
7
A Merry Christmas
21
The Laurence Boy
35
Burdens
49
Being Neighborly
65
Beth Finds the Palace Beautiful
81
Amys Valley of Humiliation
90
Jo Meets Apollyon
100
Secrets
199
A Telegram
212
Letters
224
Little Faithful
235
Dark Days
245
Amys Will
256
Confidential
268
Laurie Makes Mischief and Jo Makes Peace
277

Meg Goes to Vanity Fair
115
The PC and PO
136
Experiments
146
Camp Laurence
161
Castles in the Air
186
Pleasant Meadows
293
Aunt March Settles the Question
303
Afterword
321
Further Reading
Copyright

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About the author (2004)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.

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