The Three Musketeers

Front Cover
Macmillan, Jan 15, 1994 - Drama - 608 pages
Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title—offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.

This edition of The Three Musketeers includes a Biographical Note by Stephen Brust.

Giant Porthos; elegant Aramis; mysterious, haunted Athos: they are fearless, loyal and unstoppable. They're also rogues, seducers and swindlers. But when thousands will die in a war fought over lost love, and lethal royal intrigues are daily events, people don't just need heroes-They need legends.

Armed only with quick wits and a lightning sword, young D'Artagnan just wants to serve with the King's Musketeers. He soon finds himself saving his queen from the subtle, deadly traps of her enemy, Cardinal Richelieu, and Richelieu's agent, the sadistic, beautiful monster Milady. Now Porthos, Aramis and Athos must keep the boy and his lover from being crushed in an international clash of political titans....

But can even the Three Musketeers help D'Artagnan save himself from the insane hatred of Milady's revenge?
 

Contents

1 The Three Gifts of M dArtagnan the Elder
1
2 The Antechamber of M de Tréville
14
3 The Audience
23
4 The Shoulder of Athos the Baldric of Porthos and the Handkerchief of Aramis
33
5 The Kings Musketeers and the Cardinals Guards
40
6 His Majesty King Louis XIII
50
7 The Housekeeping of the Musketeers
67
8 A Court Intrigue
74
36 Dream of Vengeance
335
37 MiIadys Secret
341
38 How Without Incommoding Himself Athos Found His Outfit
347
39 A Vision
356
40 A Terrible Vision
364
41 The Siege of Rochelle
371
42 The Anjou Wine
382
43 The Inn of the Red Dovecot
388

9 DArtagnan Shows Himself
82
10 A MouseTrap in the Seventeenth Century
89
11 The Intrigue Grows Tangled
98
12 George Villiers Duke of Buckingham
113
13 Monsieur Bonacieux
120
14 The Man of Meung
128
15 Men of the Robe and Men of the Sword
137
16 In Which M Séguier the Keeper of the Seals Looks More Than Once for the Bell In Order to Ring It as He Did Before
144
17 Bonacieux at Home
154
18 The Lover and the Husband
166
19 Plan of the Campaign
172
20 The Journey
180
21 The Comtesse de Winter
190
22 The Ballet of La Merlaison
198
23 The Rendezvous
205
24 The Pavilion
214
25 The Mistress of Porthos
223
26 The Thesis of Aramis
240
27 The Wife of Athos
254
28 The Return
271
29 Hunting for Their Equipments
283
30 Milady
291
31 English and French
297
32 A Procurators Dinner
304
33 Soubrette and Mistress
312
34 In Which the Outfit of Aramis and Porthos Is Treated Of
321
35 All Cats Are Gray in the Dark
328
44 The Utility of StovePipes
395
45 A Conjugal Scene
402
46 The Bastion St Gervais
408
47 The Council of the Musketeers
414
48 A Family Affair
428
49 Fatality
441
50 Chat of a Brother with a Sister
448
51 Officer
455
52 The First Day of Captivity
464
53 The Second Day of Captivity
470
54 The Third Day of Captivity
477
55 The Fourth Day of Captivity
484
56 The Fifth Day of Captivity
491
57 Means for CIassical Tragedy
504
58 Escape
510
59 What Took Place at Portsmouth Aug 23 1628
517
60 In France
526
61 The Carmelite Convent at Béthune
531
62 Two Varieties of Demons
542
63 The Drop of Water
547
64 The Man in the Red Cloak
559
65 Judgment
564
66 Execution
571
67 The Cardinals Messenger
575
EPILOGUE
584
What Is a Classic?
587
Copyright

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About the author (1994)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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