Rose in Bloom

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General Books LLC, 2010 - Juvenile Fiction - 160 pages
Excerpt: ... last sentence spoiled it all, for it was both masterful and defiant. Rose had the Campbell spirit in her, though it seldom showed; as yet she valued her liberty more than any love offered her, and she resented the authority he assumed too soon resented it all the more warmly because of the effort she was making to reinstate her hero, who would insist on being a very faulty and ungrateful man. She rose straight out of her chair, saying with a look and tone which rather startled her hearer and convinced him that she was no longer a tenderhearted child but a woman with a will of her own and a spirit as proud and fiery as any of her race: "My heart is my own, to dispose of as I please. Don't shut yourself out of it by presuming too much, for you have no claim on me but that of cousinship, and you never will have unless you earn it. Remember that, and neither threaten nor defy me anymore." For a minute it was doubtful whether Charlie would answer this flash with another, and a general explosion ensue, or wisely quench the flame with the mild answer which turneth away wrath. He chose the latter course and made it very effective by throwing himself down before his offended goddess, as he had often done in jest. This time it was not acting, but serious, earnest, and there was real passion in his voice as he caught Rose's dress in both hands, saying eagerly: "No, no! Don't shut your heart against me or I shall turn desperate. I'm not half good enough for such a saint as you, but you can do what you will with me. I only need a motive to make a man of me, and where can I find a stronger one than in trying to keep your love?" "It is not yours yet," began Rose, much moved, though all the while she felt as if she were on a stage and had a part to play, for Charlie had made life so like a melodrama that it was hard for him to be quite simple even when most sincere. "Let me earn it, then. Show me how, and I'll do anything, for you are my good angel, Rose, and if...

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About the author (2010)

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.

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