Beasts and Super-Beasts

Front Cover
Librairie générale française, 2005 - Fiction - 316 pages
Avec ce recueil publié en 1914 - deux ans avant qu'il ne soit tué au front, dans les tranchées de la Somme -, l'écrivain anglais Hector Hugh Munro, alias Saki, s'impose comme un des grands maîtres de la nouvelle, aussi virtuose et inventif que Tchekhov ou Maupassant, expert en l'art de peindre, en quelques pages, les situations et les personnages les plus étonnants. On n'oubliera pas de sitôt Laura, qui promet de se réincarner sous la forme d'une loutre, ni la vieille Martha, servante de ferme un peu gâteuse, qui sent rôder la mort. Ni les deux ennemis jurés qui se réconcilient nuitamment dans une forêt des Carpates, à demi écrasés sous un arbre tombé... Pas plus que telle malicieuse jeune fille faisant surgir des fantômes par une fenêtre ouverte. Et tant d'autres encore ! L'humour, la satire, le drame, la cocasserie, le fantastique jaillissent tour à tour sous la plume de Saki, dans ces histoires où le monde animal se mêle de façon multiple et toujours imprévue aux affaires des hommes.

About the author (2005)

H. H. Munro, better known as "Saki," was born in Burma, the son of an inspector-general for the Burmese police. Sent to England to be educated at the Bedford Grammar School, he returned to Burma in 1893 and joined the police force there. In 1896, he returned again to England and began writing first for The Westminster Gazette and then as a foreign correspondent for The Morning Post. Best known for his wry and amusing stories, Saki depicts a world of drawing rooms, garden parties, and exclusive club rooms. His short stories at their best are extraordinarily compact and cameolike, wicked and witty, with a careless cruelty and a powerful vein of supernatural fantasy. They deal, in general, with the same group of upper-class Britishers, whose frivolous lives are sometimes complicated by animals---the talking cat who reveals their treacheries in love, the pet ferret who is evil incarnate. The nom de plume "Saki" was borrowed from the cupbearer in Omar Khayyam's (see Vol. 2) The Rubaiyat. Munro used it for political sketches contributed to the Westminster Gazette as early as 1896, later collected as Alice in Westminster. The stories and novels were published between that time and the outbreak of World War I, when he enlisted as a private, scorning a commission. He died of wounds from a sniper's bullet while in a shell hole near Beaumont-Hamel. One of his characters summed up Saki's stories as those that "are true enough to be interesting and not true enough to be tiresome.

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