The Oresteia

Front Cover
Oxford University Press, 2003 - Drama - 285 pages
The Oresteia by Aeschylus, the only extant trilogy among the Greek tragedies, is one of the great foundational texts of Western culture. Beginning with Agamemnon, which describes Agamemnon's return from the Trojan War and his murder at the hands of his wife Clytemnestra, and continuing through Orestes' murder of Clytemnestra in Libation Bearers and his acquittal at Athena's court in Eumenides, the trilogy traces the evolution of justice in human society from blood vengeance to the rule of law. The story of the house of Atreus is a tale of incest, adultery, human sacrifice, cannibalism, and political intrigue. It is also a story in which human action is simultaneously willed and determined.
In this new translation the strangeness of the original Greek and its enduring human truth come alive in language that is remarkable for its unrelenting poetic intensity, its rich metaphorical texture, and a verbal density that can at times modulate into the simplest expressions. The precise but complicated rhythms of this translation honor the music of the original Greek, bringing into unforgettable English the Aeschylean vision of a world fraught with spiritual and political tensions, a world in which justice is a cosmic balance that inevitably rights itself both by means of and despite the evil deeds of characters who claim to act on justice's behalf.

About the author (2003)

Aeschylus was born at Eleusis of a noble family. He fought at the Battle of Marathon (490 b.c.), where a small Greek band heroically defeated the invading Persians. At the time of his death in Sicily, Athens was in its golden age. In all of his extant works, his intense love of Greece and Athens finds expression. Of the nearly 90 plays attributed to him, only 7 survive. These are The Persians (produced in 472 b.c.), Seven against Thebes (467 b.c.), The Oresteia (458 b.c.)---which includes Agamemnon, Libation Bearers, and Eumenides (or Furies) --- Suppliants (463 b.c.), and Prometheus Bound (c.460 b.c.). Six of the seven present mythological stories. The ornate language creates a mood of tragedy and reinforces the already stylized character of the Greek theater. Aeschylus called his prodigious output "dry scraps from Homer's banquet," because his plots and solemn language are derived from the epic poet. But a more accurate summation of Aeschylus would emphasize his grandeur of mind and spirit and the tragic dignity of his language. Because of his patriotism and belief in divine providence, there is a profound moral order to his plays. Characters such as Clytemnestra, Orestes, and Prometheus personify a great passion or principle. As individuals they conflict with divine will, but, ultimately, justice prevails. Aeschylus's introduction of the second actor made real theater possible, because the two could address each other and act several roles. His successors imitated his costumes, dances, spectacular effects, long descriptions, choral refrains, invocations, and dialogue. Swinburne's (see Vol. 1) enthusiasm for The Oresteia sums up all praises of Aeschylus; he called it simply "the greatest achievement of the human mind." Because of his great achievements, Aeschylus might be considered the "father of tragedy." Alan Shapiro was a finalist for the 2015 Pulitzer Prize for Poetry wit his title Reel to Reel.

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