A History of the Indian Novel in English

Front Cover
Ulka Anjaria
Cambridge University Press, Jul 8, 2015 - Literary Criticism - 430 pages
A History of the Indian Novel in English traces the development of the Indian novel from its beginnings in the late nineteenth century up until the present day. Beginning with an extensive introduction that charts important theoretical contributions to the field, this History includes extensive essays that shed light on the legacy of English in Indian writing. Organized thematically, these essays examine how English was "made Indian" by writers who used the language to address specifically Indian concerns. Such concerns revolved around the question of what it means to be modern as well as how the novel could be used for anti-colonial activism. By the 1980s, the Indian novel in English was a global phenomenon, and India is now the third largest publisher of English-language books. Written by a host of leading scholars, this History invites readers to question conventional accounts of India's literary history.
 

Contents

Rajmohans Wife and the Novel in India
31
Two Novels from
45
Indian
59
The Radical Career of
73
Modernity and Gandhianism
88
Paradigms and Practices
103
Partition and the Indian Novel
119
Women Reform and Nationalism in Three Novels
133
Historiography Politics and
237
Experiments in
251
The Millennial Novel in India
267
Violence PostColonial
282
PostHumanitarianism and the Indian Novel in English
296
Remaking the Novel in India
310
Agency and Identity
324
The Politics and Art of Indian English Fantasy Fiction
337

Self Caste and Other in Three
147
Emergency Fictions
162
Cosmopolitanism and the Sonic Imaginary in Salman Rushdie
177
Postcolonial Realism in the Novels of Rohinton Mistry
193
Privacy Domesticity
207
Gender Sexuality and Environment
221
Indian Fiction
359
Caste Complicity and the Contemporary
373
Works Cited
389
Index
425
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About the author (2015)

Ulka Anjaria is Associate Professor of English at Brandeis University, Massachusetts. She is the author of Realism in the Twentieth-Century Indian Novel: Colonial Difference and Literary Form (Cambridge, 2012), and has published in such journals as South Asian Popular Culture, NOVEL: A Forum on Fiction, and Economic and Political Weekly. She is the recipient of an ACLS/Charles A. Ryskamp fellowship in 2014 for her current book project on realism in contemporary Indian literature, film, and television.

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