Strindberg's The Ghost Sonata: From Text to Performance

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Amsterdam University Press, Jan 1, 2000 - Drama - 269 pages
Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play The Ghost Sonata (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama.

In this monograph of the play as text and as performance —the first of its kind—Egil Trnqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.
 

Contents

Preface
7
Prologue
9
Source text
17
Target texts
53
Stage productions
105
Adaptations
147
Epilogue
165
Configuration chart of Strindbergs drama text
171
Short rehearsal diary of Ingmar Bergmans 1973 production
177
Transcription of Bergmans 1973 production
189
Select annotated list of productions
229
Notes
241
Cited works
251
List of illustrations
259
Index
261
Copyright

Configuration chart of Bergmans 1973 production
173

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About the author (2000)

Egil Törnqvist is professor emeritus in Scandinavian studies at the University of Amsterdam. His most recent books include Strindberg's "The Ghost Sonata": From Text to Performance, Bergman's Muses: Aesthetic Versatility in Film, Theatre, Television, and Radio, and Eugene O'Neill: A Playwright's Theatre.

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