A Patchwork Planet

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Knopf Doubleday Publishing Group, 1998 - Fiction
See the difference, read bestselling author Anne Tyler in Large Print * About Large Print All Random House Large Print editions are published in a 16-point typeface In this, her fourteenth novel--and one of her most endearing--Anne Tyler tells the story of a lovable loser who's trying to get his life in order. Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos. But for eleven years now, he's been working steadily for Rent-a-Back, renting his back to old folks and shut-ins who can't move their own porch furniture or bring the Christmas tree down from the attic. At last, his life seems to be on an even keel. Still, the Gaitlins (of "old" Baltimore) cannot forget the price they paid for buying off Barnaby's former victims. And his ex-wife would just as soon he didn't show up ever to visit their little girl, Opal. Even the nice, steady woman (his guardian angel?) who seems to have designs on him doesn't fully trust him, it develops, when the chips are down, and it looks as though his world may fall apart again. There is no one like Anne Tyler, with her sharp, funny, tender perceptions about how human beings navigate on a puzzling planet, and she keeps us enthralled from start to finish in this delicious new novel.

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About the author (1998)

Novelist and short-story writer Anne Tyler was born in Minnesota, grew up in North Carolina, and was educated at Duke University. Since 1965 she has lived in Baltimore, the setting for much of her work. With wry humor and sympathy, Tyler writes about the ambivalence of family relations, focusing on ordinary characters, most of whom live in Baltimore or in small Southern towns. Her concerns are with the human need to belong and to be loved, the necessity of making imperfect choices, and the acceptance of mortality. Beginning with her ninth novel, Dinner at the Homesick Restaurant (1982), which won the PEN Faulkner Award, Tyler has gained the wider audience she deserves. This novel shows Tyler's development as a writer: here, she is able to delineate family tensions over several generations. Tyler's feel for the oddities of families and the strange configurations of which they are made comes through vividly in The Accidental Tourist (1985).

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