1919: Second in the Trilogy U.S.A.

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New American Library, 1979 - Fiction - 471 pages

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About the author (1979)

John Dos Passos, 1896 - 1970 John Passos was born January 14,1896 to John Randolph Dos Passos and Lucy Addison Sprigg Madison. He attended Harvard University from 1912-1916. He was in the ambulance service units in France and Italy and in 1918, enlisted in the U.S. Army Medical Corps. From 1926-29, he directed New Playwrights' Theatre in New York City. In 1929, Passos married Katharine Smith and in 1947, they were in an automobile accident that killed his wife and left him blind in one eye. He married Elizabeth Holdridge in 1949 and a year later, Lucy Hamlin Dos Passos was born. Passos' many novels include "One Man's Initiation" (1917), "Three Soldiers" (1921), which has met with wide acclaim, "Streets of Night" (1923), "Facing the Chair" (1927), which defends the immigrants Sacco and Vanzetti, "Orient Express" (1927), "The Ground We Stand On" (1949), and "Prospects of a Golden Age" (1959). He received the Gold Medal for fiction from the National Institute of Arts and Letters in 1957, the Feltrinelli Prize for Fiction in 1967 and was elected to the American Academy of Arts and Letters in 1947. On September 28, 1970, Passos died of heart failure in Baltimore, Maryland. Alfred Kazin, a literary critic and professor of English literature, was born in Brooklyn on June 5, 1915. He was educated at City College and Columbia University. Kazin established his own critical reputation in the mid-1940s with On Native Grounds (1942), a study of American literature. His later work, Bright Book of American Life (1973), is both a recapitulation of modernism and an evaluation of American writers who have achieved prominence since 1945. Modernism, a favorite topic of Kazin, is in his view a literary revolution marked by spontaneity and individuality but lacking in precisely the mass culture appeal necessary to its survival. Contemporaries (1962) includes reflective essays on travel, five essays on Freud, and some very perceptive essays on literary and political matters. The final section, "The Critic's Task," concerns itself with the critic's function within a popular and an academic context and with critical theory and principles. Starting Out in the Thirties (1965) describes Kazin's early years with The New Republic as book reviewer and evaluates his contemporaries in a period when the depression and radical political thought, pro and con, deeply affected literary production. In the midst of the current antihumanistic trend in literary theory, Kazin remains a literary critic of the old school, believing in the relevance of literature to modern life. Alfred Kazin died on June 5, 1998.

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