The Man in the Iron Mask

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Oberon Books, Limited, Jan 30, 2016 - Drama - 96 pages
A leader of men, a captain at nineteen, AND a hopeless romantic. Edmond Dantes - illiterate young sailor of Marseilles - is drawn into conspiring with the exiled Napoleon and imprisoned for ten years. Incarcerated in a desolate gaol with no one but a mad monk for company, Dantes begins an unconventional education. As his enemies become more powerful, all hope of justice and of a reunion with his sweetheart appear to be gone. Still, Dantes clings to hope. Eventually, his chance comes, he escapes his prison, adopts a disguise and the Count of Monte Cristo is born. In this new adaptation by award winning playwright Richard Bean, Alexandre Dumas' classic tale comes to the National Theatre in a theatrical adventure for family audiences.

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About the author (2016)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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