Dante's Inferno: Retro Hell-Bound Edition

Front Cover
CGR Publishing, Jul 25, 2020 - Art - 286 pages
Dante Alighieri's terrifying masterpiece enhanced with chilling imagery from the legendary artist, Gustave Doré is a sight to behold.Join Dante on a trip to Hell in Henry Francis Cary's translated version published with Gustave Doré's terrifying artwork. Originally printed in 1861, this Retro Hell-Bound Edition includes:-The original type font-Classic page layouts-Crisp digitally re-scanned and enhanced images-8 1⁄2" x 11" printing-Bold new cover design-Critical explanatory notes-Chronology-The Life of Dante. Written in the 14th century, Inferno gained immense popularity in the late 19th century and stirred the imagination of contemporary artists and translators from the time. Few found inspiration in such a grand way as Doré. The immensely talented French artist created a famous series of unforgettable engravings that enhance the Divine Comedy's journey into untold depths of sorrow, pain, and madness with impeccable detail, masterful shading, imaginative landscape work, and flawless human anatomy. Years ahead of his time, Gustave Doré's imagery tells the story in a cinematic way, which was unusual for the time, and remains captivating today. One wonders how anyone could have possibly created the artwork for Inferno using tools from era.Enjoy Dante's vision of Hell and Cary's translation while admiring more than 75 unforgettable illustrations in crisp detail. The Cary-Doré edition presents Dante's thought-provoking look at the afterlife in a modern yet classical way that continues to enthrall audiences well into the 21st-century.

About the author (2020)

Born Dante Alighieri in the spring of 1265 in Florence, Italy, he was known familiarly as Dante. His family was noble, but not wealthy, and Dante received the education accorded to gentlemen, studying poetry, philosophy, and theology. His first major work was Il Vita Nuova, The New Life. This brief collection of 31 poems, held together by a narrative sequence, celebrates the virtue and honor of Beatrice, Dante's ideal of beauty and purity. Beatrice was modeled after Bice di Folco Portinari, a beautiful woman Dante had met when he was nine years old and had worshipped from afar in spite of his own arranged marriage to Gemma Donati. Il Vita Nuova has a secure place in literary history: its vernacular language and mix of poetry with prose were new; and it serves as an introduction to Dante's masterpiece, The Divine Comedy, in which Beatrice figures prominently. The Divine Comedy is Dante's vision of the afterlife, broken into a trilogy of the Inferno, Purgatory, and Paradise. Dante is given a guided tour of hell and purgatory by Virgil, the pagan Roman poet whom Dante greatly admired and imitated, and of heaven by Beatrice. The Inferno shows the souls who have been condemned to eternal torment, and included here are not only mythical and historical evil-doers, but Dante's enemies. The Purgatory reveals how souls who are not irreversibly sinful learn to be good through a spiritual purification. And The Paradise depicts further development of the just as they approach God. The Divine Comedy has been influential from Dante's day into modern times. The poem has endured not just because of its beauty and significance, but also because of its richness and piety as well as its occasionally humorous and vulgar treatment of the afterlife. In addition to his writing, Dante was active in politics. In 1302, after two years as a priore, or governor of Florence, he was exiled because of his support for the white guelfi, a moderate political party of which he was a member. After extensive travels, he stayed in Ravenna in 1319, completing The Divine Comedy there, until his death in 1321.

Bibliographic information