Spoon River Anthology

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Courier Corporation, Oct 8, 1992 - Poetry - 133 pages
One of the most striking and original achievements in American poetry is now available in a remarkable edition that comprehends the poet and his book in an entirely new way. This edition of Spoon River Anthology probes the social background of the smalltown world that Edgar Lee Masters loved and hated--and finally transmuted into powerful literary art. Extensive annotations identify the people whose lives inspired the 243 poetic accounts of frustration, violence, struggle, and triumph that once shocked American readers. The most extraordinary feature of this edition is the extensive introduction that provides the key to this misunderstood American classic. The book's relationship to Whitman is clearly established, and the important influences of Browning, Goethe, Spinoza, and others are revealed for the first time. John Hallwas's approach combines cultural, biographical, philosophical, psychoanalytic, mythic, and symbolic insights--and concludes with a stunning reassessment of "Our New Poet." The annotated Spoon River Anthology supersedes 75 years of largely misdirected critical commentary. It will send a new generation of readers back to this surprisingly complex book that probes so deeply into the American consciousness--and will send Masters back into our national anthologies.

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About the author (1992)

The Kansas-born poet of "Spoon River Anthology" (1915), Edgar Lee Masters, wrote almost 50 volumes but continues to be known for only that one, so great was its extraordinary success. The character of the verses---short postmortem monologues in a cemetery in epitaph form---is borrowed from the old Greek Anthology. By invading the realm of social criticism usually reserved for prose fiction, "Spoon River" anticipated the mood of Sherwood Anderson's "Winesburg, Ohio" and Sinclair Lewis's "Main Street." For 11 years, he lived near the Spoon River, his source of inspiration for this work. The 244 characters in the Anthology lay bare, in their own epitaphs, the hypocrisies, jealousies, frustrations and infrequent triumphs of their lives. Masters is often regarded as the last best selling American poet. "Spoon River" has been adapted into a popular stage version that is frequently performed at colleges, high schools, and community theater.

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