The Count of Monte Cristo

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Random House Publishing Group, Dec 2, 2003 - Fiction - 544 pages
Nominated as one of America’s best-loved novels by PBS’s The Great American Read

A popular bestseller since its publication in 1844, The Count of Monte Cristo is one of the great page-turning thrillers of all time. Set against the tumultuous years of the post-Napoleonic era, Alexandre Dumas’s grand historical romance recounts the swashbuckling adventures of Edmond Dantès, a dashing young sailor falsely accused of treason. The story of his long imprisonment, dramatic escape, and carefully wrought revenge offers up a vision of France that has become immortal. As Robert Louis Stevenson declared, “I do not believe there is another volume extant where you can breathe the same unmingled atmosphere of romance.”
 

Selected pages

Contents

Section 1
1
Section 2
7
Section 3
11
Section 4
20
Section 5
30
Section 6
35
Section 7
39
Section 8
41
Section 21
274
Section 22
281
Section 23
283
Section 24
311
Section 25
323
Section 26
351
Section 27
395
Section 28
406

Section 9
49
Section 10
80
Section 11
96
Section 12
143
Section 13
161
Section 14
198
Section 15
221
Section 16
241
Section 17
244
Section 18
252
Section 19
255
Section 20
267
Section 29
410
Section 30
413
Section 31
428
Section 32
443
Section 33
466
Section 34
480
Section 35
487
Section 36
497
Section 37
505
Section 38
518
Section 39
523
Copyright

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About the author (2003)

Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature.

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