The Greatest Poetry and Drama: Forever Books Guide

Front Cover
谷月社, Nov 5, 2015 - Poetry

 GOETHE
Goetz von Berlichingen[A]
Act I
Act II
Act III
Act IV
Act V
Iphigenia in Tauris[B]
GOGOL[C]
The Inspector-General
Act I
Act II
Act III
Act IV
OLIVER GOLDSMITH[D]
She Stoops to Conquer
Act I
Act II
Act III
Act IV
Act V
HEINRICH HEINE[E]
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
HOMER[F]
The Iliad
The Odyssey[G]
HORACE[H]
Poems
HUMAN DISCONTENT
AVARICE
A PARAGON OF INCONSISTENCY
ON JUDGING FRIENDS
ON LOYALTY TO ABSENT FRIENDS
HORACE'S DEBT TO HIS FATHER
HORACE'S HABITS IN THE CITY
UNITY AND SIMPLICITY ARE REQUISITE
THE FALSEHOOD OF EXTREMES IN STYLE
CHOICE OF THEME
WORDS OLD AND NEW
WORDS MUST SUIT CHARACTER
ON LITERARY BORROWING
ON BEGINNING A HEROIC POEM
ACTION AND NARRATION IN PLAYS
GOOD SENSE A WELL-SPRING OF POETRY
PERFECTION CANNOT BE EXPECTED
A HIGH STANDARD MUST BE EXACTED
ARE POETS BORN OR MADE?
A DEDICATION
TO PYRRHA
WINTER CHEER
"GATHER YE ROSEBUDS WHILE YE MAY"
GOD AND EMPEROR
THE STRENGTH OF INNOCENCE
TRANQUILLITY
TO A FAIR DECEIVER
THE GOLDEN MEAN
TO THE FOUNTAIN OF BANDUSIA
TO THE GOD FAUNUS
AN ENVOI
VICTOR HUGO[I]
Hernani
Act I
Act II
Act III
Act IV
Marion de Lorme[J]
Act I
Act II
Act III
Ruy Blas[K]
Act I
Act II
Act III
The King Amuses Himself[L]
Act I
Act II
Act III
The Legend of the Ages[M]
HENRIK IBSEN[N]
The Master Builder
Act I
Act II
Act III
The Pillars of Society[O]
Act I
Act II
Act III
Act IV
BEN JONSON[P]
Every Man in His Humour
Act I
Act II
Act III
Act V
JUVENAL[Q]
Satires
FRIEDRICH KLOPSTOCK[R]
The Messiah
GOTTHOLD EPHRAIM LESSING[S]
Nathan the Wise
Act I
Act II
Act III
HENRY WADSWORTH LONGFELLOW[T]
Evangeline, A Tale of Acadie
The Song of Hiawatha[U]
LUCRETIUS[V]
On the Nature of Things
THE TYRANNY OF RELIGION AND THE REVOLT OF EPICURUS
A HARD TASK AND THREEFOLD TITLE TO FAME
CALM OF MIND IN RELATION TO A TRUE THEORY OF THE UNIVERSE
PROPERTIES OF ATOMS
EPICURUS AND THE GODS
PRIMEVAL FERTILITY OF THE EARTH
SURVIVAL OF THE FITTEST IN THE STRUGGLE FOR EXISTENCE
PRIMITIVE MAN
THE EVOLVING OF CIVILISATION
JAMES MACPHERSON
Ossian[W]
CHRISTOPHER MARLOWE[X]
The Tragical History of Dr. Faustus
Act I
Act II
Act III
MARTIAL[Y]
Epigrams, Epitaphs and Poems
MARTIAL ON HIS WORK
ON FREEDOM OF LANGUAGE
THE AIM OF THE EPIGRAMS
ON A SPENDTHRIFT
TO A RECITER WHO BAWLED
TO AN APOLOGETIC RECITER
ANSWER TO A POETASTER
ON A PLAGIARIST
A LOVER OF OLD-FASHIONED POETRY
A GOOD RIDDANCE
HOW A WET SEASON HELPS THE ADULTERATION OF WINE
THE SYSTEMATIC DINER-OUT
WIDOWER AND WIDOW
THE IMPORTUNATE BEGGAR
TO A FRIEND OVER-CAUTIOUS IN LENDING
AN OLD DANDY
PATIENT AND DOCTOR
APING ONE'S BETTERS
ON A DEAD SLAVE-BOY
ON A LITTLE GIRL, EROTION
A WORTHY FRIEND
A RETROSPECT
GIFTS TO FRIENDS ARE NOT LOST
ON MAKING THE BEST OF LIFE
BOREDOM, VERSUS ENJOYMENT
THE HAPPY LIFE
AT THE SEASIDE
THE POET'S FINAL RETREAT IN SPAIN
PHILIP MASSINGER[Z]
A New Way to Pay Old Debts
Act I
Act II
Act III
JOHN MILTON[AA]
Paradise Lost
Paradise Regained[AB]
Samson Agonistes[AC]
MOLIÈRE[AD]
The Doctor in Spite of Himself
Act I
Act II

 

Selected pages

Contents

HOMERF
The OdysseyG
HORACEH

Common terms and phrases

About the author (2015)

Sir John Alexander Hammerton (born 27 February 1871 in Alexandria, Scotland; died 12 May 1949 in London) is described by the Dictionary of National Biography as "the most successful creator of large-scale works of reference that Britain has known".

His first posts in journalism included a period in Nottingham where he first met Arthur Mee, who was to become his lifelong friend. Then, in 1905, he joined Alfred Harmsworth's Amalgamated Press. There he again collaborated with Mee in producing the Harmsworth Self-Educator.

He contributed to the first edition of Mee's Children's Encyclopædia, which appeared in a fortnightly series from 1908 till 1910 before being published in eight large volumes. His contribution consisted of compiling articles on 'Famous Books' and 'Poetry'.

His greatest achievement was Harmsworth's Universal Encyclopædia, which – like the Children's Encyclopædia – was published first as a fortnightly series in 1920–22 and sold twelve million copies throughout the English-speaking world.

Bibliographic information