The Experience of Beauty in the Middle Ages

Front Cover
OUP Oxford, Apr 25, 2013 - Art - 233 pages
This book articulates a new approach to medieval aesthetic values, emphasizing the sensory and emotional basis of all medieval arts, their love of play and fine craftsmanship, of puzzles, and of strong contrasts. Written for a general educated audience as well as students and scholars in the field, it offers an understanding of medieval literature and art that is rooted in the perceptions and feelings of ordinary life, made up of play and laughter as well as serious work. Medieval stylistic values of variety, sweetness, good taste, and ordinary beauty are grounded in classical and medieval biological theories of change and flux in the human body, not only in symbolism and theology. The book will appeal to all lovers of medieval arts, literature, architecture, music, and painting, as well as serious students of religion and the language of beauty.
 

Contents

Making Sense
1
1 Artful Play
16
2 Sensory Complexion and Style
45
3 Taking the Bitter with the Sweet
80
4 Taste and Good Taste
108
5 Varietas
135
6 Ordinary Beauty
165
Bibliography
206
General Index
227
Index of Words
231
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About the author (2013)

Mary Carruthers studies memory training and rhetorical practices of the Middle Ages, in universities and monasteries, clerical and court cultures, focussing in particular on compositional and performative practice in the arts of the twelfth through the mid-fifteenth centuries in Europe. Her work has been fruitful to scholars in a number of other disciplines besides literature, including cultural history, comparative religion, the history of psychology andeducation, art and architecture history, and musicology. She received her BA from Wellesley College and her PhD from Yale University, both in English language and literature, though her work now is mainly withLatin materials. She retired from New York University in 2011. In Oxford she has been George Eastman Visiting Professor and Fellow of All Souls College. She is a Corresponding Fellow of the British Academy and a Fellow of the Medieval Academy of America.

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