When the Sleeper Wakes: A Critical Text of the 1899 New York and London First Edition, with an Introduction and Appendices

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McFarland, 2000 - Fiction - 465 pages
Critics rightly view When the Sleeper Wakes as a prototype of the anti-utopian novel, a genre developed by Zamyatin, Huxley, and Orwell into nightmare futures associated with the totalitarian age and the moral horrors of fascism and communism. Suppose, however, that Wells rather favored unlawful statist controls, if justified in a good cause by his own ideological lights? This is one possibility explored in the apparatus to the present edition. Annotated by the worlds leading Wellsian scholar, in Sleeper is found a greater measure of artistry and characterization than is usually accorded it. As a complex work combining technological with social speculation, Sleeper is unmatched for canniness in the history of futuristic literature. Indeed, its aeronautical details influenced the Wright Brothers in the design of their flyer, and the novel predicts the promotion of airplanes as a weapon, a prophecy dramatically fulfilled in the twentieth century. This exhaustive critical edition follows other influential titles in the series and features a lengthy introduction, appendices, bibliography and index, and a frontispiece taken from the original 1899 edition.

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Contents

Preface
1
From Wells to Orwell
12
Fascism
20
Copyright

40 other sections not shown

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About the author (2000)

H.G. Wells was born in Bromley, England, the son of an unsuccessful merchant. After a limited education, he was apprenticed to a dry-goods merchant, but soon found he wanted something more out of life. He read widely and got a position as a student assistant in a secondary school, eventually winning a scholarship to the College of Science in South Kensington, where he studied biology under the British biologist and educator, Thomas Henry Huxley. After graduating, Wells took several different teaching positions and began writing for magazines. When his stories began to sell, he left teaching to write full time. Wells's first major novel, The Time Machine (1895), launched his career as a writer, and he began to produce a steady stream of science-fiction tales, short stories, realistic novels, and books of sociology, history, science, and biography, producing one or more books a year. Much of Wells's work is forward-looking, peering into the future of prophesy social and scientific developments, sometimes with amazing accuracy. Along with French writer Jules Verne, Wells is credited with popularizing science fiction, and such novels as The Time Machine and The War of the Worlds (1898) are still widely read. Many of Wells's stories are based on his own experiences. The History of Mr. Polly (1910) draws on the life of Wells's father. Kipps (1905) uses Wells's experience as an apprentice, and Love and Mr. Lewisham (1900) draws on Wells's experiences as a school teacher. Wells also wrote stories showing how the world could be a better place. One such story is A Modern Utopia (1905). As a writer, Wells's range was exceptionally wide and his imagination extremely fertile. While time may have caught up with him (many of the things he predicted have already come to pass), he remains an interesting writer because of his ability to tell a lively tale.

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