The Canterville Ghost

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Alan Rodgers Books LLC, 2006 - Fiction - 108 pages

The story is about a family who moves to a castle haunted by the ghost of a dead nobleman, who killed his wife and was starved to death by her brothers. This is Oscar Wilde's tale of the American family moved into a British mansion, Canterville Chase, much to the annoyance its tired ghost. The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance. The Canterville Chase has all the accouterments of a traditional haunted house. Descriptions of the wainscoting, the library panelled in black oak and the armor in the hallway characterize the Gothic setting. Wilde mixes the macabre with comedy, juxtaposing devices from traditional English ghost stories such as creaking floorboards, clanking chains and ancient prophecies with symbols of contemporary American consumerism.

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About the author (2006)

Oscar Fingal O'Flahertie Wills Wilde (1854 - 1900) was an Irish playwright, novelist, essayist and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, as well as the circumstances of his imprisonment and early death. Wilde's parents were successful Anglo-Irish Dublin intellectuals. Their son became fluent in French and German early in life. At university, Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States and Canada on the new "English Renaissance in Art" and then returned to London where he worked prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde became one of the best-known personalities of his day.

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