The Wind in the Willows

Kenneth Grahame was born in Edinburgh on March 3, 1859. When he was five years old, his mother died of scarlet fever and he nearly died himself, of the same disease. His father became an alcoholic and sent the children to Berkshire to live with relatives. They were later reunited with their father, but after a failed year, the children never heard from him again. Sometime later, one of his brothers died at the age of fifteen. He attended St. Edward's School as a child and intended to go on to Oxford University, but his relatives wanted him to go into banking. He worked in his uncle's office, in Westminster, for two years then went to work at the Bank of England as a clerk in 1879. He spent nearly thirty years there and became the Secretary of the Bank at the age of thirty-nine. He retired from the bank right before The Wind in the Willows was published in 1908. He wrote essays on topics that included smoking, walking and idleness. Many of the essays were published as the book Pagan Papers (1893) and the five orphan characters featured in the papers were developed into the books The Golden Age (1895) and Dream Days (1898). The Wind in the Willows (1908) was based on bedtime stories and letters to his son and it is where the characters Rat, Badger, Mole and Toad were created. In 1930, Milne's stage version was brought to another audience in Toad of Toad Hall. Grahame died on July 6, 1932. Arthur Rackham was born in London, England. At the age of 18, he worked as a clerk at the Westminster Fire Office and began studying part-time at the Lambeth School of Art. In 1892 he left his job and started working for The Westminster Budget as a reporter and illustrator. His first book illustrations were published in 1893 in To the Other Side by Thomas Rhodes, but his first serious commission was in 1894 for The Dolly Dialogues, the collected sketches of Anthony Hope, who later went on to write The Prisoner of Zenda. Book illustrating then became Rackham's career for the rest of his life. Rackham invented his own unique technique which resembled photographic reproduction; he would first sketch an outline of his drawing, then lightly block in shapes and details. Afterwards he would add lines in pen and India ink, removing the pencil traces after it had dried. With color pictures, he would then apply multiple washes of color until transparent tints were created. Arthur Rackham died in 1939 of cancer in his home in Limpsfield, Surrey.