Nightmare Abbey

Front Cover
General Books LLC, 2010 - Fiction - 58 pages
Excerpt: ...She was well aware that Scythrop had a strong tendency to the love of mystery, for its own sake; that is to say, he would employ mystery to serve a purpose, but would first choose his purpose by its capability of mystery. He seemed now to have more mystery on his hands than the laws of the system allowed, and to wear his coat of darkness with an air of great discomfort. All her little playful arts lost by degrees much of their power either to irritate or to soothe; and the first perception of her diminished influence produced in her an immediate depression of spirits, and a consequent sadness of demeanour, that rendered her very interesting to Mr Glowry; who, duly considering the improbability of accomplishing his wishes with respect to Miss Toobad (which improbability naturally increased in the diurnal ratio of that young lady's absence), began to reconcile himself by degrees to the idea of Marionetta being his daughter. Marionetta made many ineffectual attempts to extract from Scythrop the secret of his mystery; and, in despair of drawing it from himself, began to form hopes that she might find a clue to it from Mr Flosky, who was Scythrop's dearest friend, and was more frequently than any other person admitted to his solitary tower. Mr Flosky, however, had ceased to be visible in a morning. He was engaged in the composition of a dismal ballad; and, Marionetta's uneasiness overcoming her scruples of decorum, she determined to seek him in the apartment which he had chosen for his study. She tapped at the door, and at the sound 'Come in, ' entered the apartment. It was noon, and the sun was shining in full splendour, much to the annoyance of Mr Flosky, who had obviated the inconvenience by closing the shutters, and drawing the window-curtains. He was sitting at his table by the light of a solitary candle, with a pen in one hand, and a muffineer in the other, with which he occasionally sprinkled salt on the wick, to make it burn blue. He sate with...

Other editions - View all

About the author (2010)

The witty, erudite, quirky Peacock, renowned for his range of knowledge, was largely self-educated. While working at the East India Company as a clerk to support his invalid wife and children, he mastered Greek, Latin, Italian, French, and Welsh. In his youth he associated with a number of free-thinking intellectuals, including Shelley (who called him "Greeky Peaky" for his fondness of ancient Greek literature), Jeremy Bentham, and John Stuart Mill. Peacock's daughter married and later abandoned George Meredith, who expressed his anguish in the sonnet sequence Modern Love (1862) and his novels The Ordeal of Richard Feverel (1859) and The Egoist (1879). Peacock's own fiction parodied the fashionable excesses of taste for the supernatural, medieval, melancholy, and sensibility that appeared in the popular novels, poetry, and melodramas. He also parodied the writers themselves for their eccentricities and attitudinizing. In a series of novels written over a long creative life (he died at age 81), with titles caricaturing the fashion for castles and abbeys---Headlong Hall (1816), Melincourt (1817), Nightmare Abbey (1818), Crotchet Castle (1831), and Gryll Grange (1861), Peacock tried to show that the proper function of literature, as he said in Nightmare Abbey, was "to reconcile man as he is to the world as it is.

Bibliographic information