The Goshawk

Front Cover
New York Review of Books, Oct 2, 2007 - Nature - 240 pages
This account of one man’s tempestuous relationship with the hawk he trained is at once a comedy of errors, a classic of nature writing, and one of the best glimpses into the world of falconry.

The predecessor to Helen Macdonald’s H is for Hawk, T. H. White’s nature writing classic, The Goshawk, asks the age-old question: what is it that binds human beings to other animals? White, the author of The Once and Future King and Mistress Masham’s Repose, was a young writer who found himself rifling through old handbooks of falconry. A particular sentence—“the bird reverted to a feral state”—seized his imagination and he immediately wrote to Germany to acquire a young goshawk. Gos, as White named the bird, was ferocious and free, and White had no idea how to break him in beyond the ancient of depriving him of sleep. Slowly man and bird entered a state of delirium and intoxication, of attraction and repulsion that looks very much like love.

White kept a daybook describing his volatile relationship with Gos—at once a tale of obsession, a comedy of errors, and a hymn to the hawk. It was this that became The Goshawk, one of modern literature’s most memorable and surprising encounters with the wilderness—as it exists both within us and without.
 

Selected pages

Contents

CHAPTER I
11
carried into the kitchen when he was being watched
43
Hunger Trace
47
CHAPTER III
70
CHAPTER IV
92
CHAPTER V
114
Net swinging over as cord is
117
Sunday
143
Pull
163
There I stuck the shaving mirror at a convenient angle
179
O that was two failures The winter had adopted
191
POSTSCRIPT
205
Pull
207
Copyright

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Page ix - It meant the headlong dive of rage and terror, by which a leashed hawk leaps from the fist in a wild bid for freedom, and hangs upside down by his jesses in a flurry of pinions like a chicken being decapitated, revolving, struggling, in danger of damaging his primaries.

About the author (2007)

T. H. White (1906—1964) was born in Bombay, India, and educated at Queen’s College, Cambridge. His childhood was unhappy—“my parents loathed each other,” he later wrote—and he grew up to become a solitary person with a deep fund of strange lore and a tremendous enthusiasm for fishing, hunting, and flying (which he took up to overcome his fear of heights). White taught for some years at the Stowe School until the success in 1936 of England Have My Bones, a book about outdoor adventure, allowed him to quit teaching and become a full-time writer. Along with The Goshawk, White was the author of twenty-six published works, including his famed sequence of Arthurian novels, The Once and Future King; the fantasy Mistress Masham’s Repose (published in The New York Review of Books Children’s Collection); a collection of essays on the eighteenth century, The Age of Scandal; and a translation of a medieval Latin bestiary, A Book of Beasts. He died at sea on his way home from an American lecture tour and is buried in Piraeus, Greece.

Marie Winn’s recent book, Red-Tails in Love: Pale Male’s Story, featured a now-famous red-tailed hawk. Her column on nature and bird-watching appeared for twelve years in The Wall Street Journal, and she has written on diverse subjects for The New York Times Magazine and Smithsonian. Her forthcoming book, Central Park in the Dark, will be published in the spring of 2008.

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