Moby Dick, Volume 27

Front Cover
Race Point Publishing, Feb 15, 2016 - Fiction - 504 pages

Journey to the heart of the sea with this larger-than-life classic.

Regarded as a Great American Novel, Moby Dick is the ultimate tale of seeking vengeance.

Narrated by the crew member Ishmael, this epic whaling adventure follows the crew of the Pequod, as its captain, Ahab, descends deeper and deeper into madness on his quest to find and kill the white whale that maimed him. Beyond the surface--of ship life, whaling, and the hunt for the elusive Moby Dick--are allegorical references to life--and even the universe--in this masterpiece by Herman Melville.

Complete and unabridged, this elegantly designed clothbound edition features an elastic closure and a new introduction by Christopher McBride.

 

Contents

I LOOMINGS
1
II THE CARPETBAG
5
III THE SPOUTERINN
8
IV THE COUNTERPANE
18
V BREAKFAST
22
VI THE STREET
24
VII THE CHAPEL
26
VIII THE PULPIT
29
LXX THE SPHINX
253
LXXI THE JEROBOAMS STORY
255
LXXII THE MONKEYROPE
260
LXXIII STUBB AND FLASK KILL A RIGHT WHALE AND THEN HAVE A TALK OVER HIM
264
LXXIV THE SPERM WHALES HEADCONTRASTED VIEW
269
LXXV THE RIGHT WHALES HEADCONTRASTED VIEW
273
LXXVI THE BATTERINGRAM
276
LXXVII THE GREAT HEIDELBURGH TUN
278

IX THE SERMON
31
X A BOSOM FRIEND
38
XI NIGHTGOWN
41
XII BIOGRAPHICAL
43
XIII WHEELBARROW
45
XIV NANTUCKET
49
XV CHOWDER
51
XVI THE SHIP
54
XVII THE RAMADAN
64
XVIII HIS MARK
69
XIX THE PROPHET
72
XX ALL ASTIR
75
XXI GOING ABOARD
77
XXII MERRY CHRISTMAS
80
XXIII THE LEE SHORE
84
XXIV THE ADVOCATE
85
XXV POSTSCRIPT
89
XXVI KNIGHTS AND SQUIRES
90
XXVII KNIGHTS AND SQUIRES
93
XXVIII AHAB
97
XXIX ENTER AHAB TO HIM STUBB
100
XXX THE PIPE
103
XXXI QUEEN MAB
104
XXXII CETOLOGY
106
XXXIII THE SPECKSYNDER
115
XXXIV THE CABINTABLE
118
XXXV THE MASTHEAD
122
XXXVI THE QUARTERDECK
127
XXXVII SUNSET
133
XXXVIII DUSK
135
XXXIX FIRST NIGHTWATCH
136
XL MIDNIGHT FORECASTLE
137
XLI MOBY DICK
143
XLII THE WHITENESS OF THE WHALE
150
XLIII HARK
156
XLIV THE CHART
157
XLV THE AFFIDAVIT
161
XLVI SURMISES
167
XLVII THE MATMAKER
170
XLVIII THE FIRST LOWERING
173
XLIX THE HYENA
181
L AHABS BOAT AND CREW FEDALLAH
183
LI THE SPIRITSPOUT
186
LII THE ALBATROSS
189
LIII THE GAM
191
LIV THE TOWNHOS STORY
195
LV OF THE MONSTROUS PICTURES OF WHALES
210
LVI OF THE LESS ERRONEOUS PICTURES OF WHALES AND THE TRUE PICTURES OF WHALING SCENES
214
LVII OF WHALES IN PAINT IN TEETH IN WOOD IN SHEET IRON IN STONE IN MOUNTAINS IN STARS
217
LVIII BRIT
220
LIX SQUID
222
LX THE LINE
225
LXI STUBB KILLS A WHALE
228
LXII THE DART
232
LXIII THE CROTCH
234
LXIV STUBBS SUPPER
236
LXV THE WHALE AS A DISH
242
LXVI THE SHARK MASSACRE
244
LXVII CUTTING IN
246
LXVIII THE BLANKET
248
LXIX THE FUNERAL
251
LXXVIII CISTERN AND BUCKETS
280
LXXIX THE PRAIRIE
284
LXXX THE NUT
286
LXXXI THE PEQUOD MEETS THE VIRGIN
288
LXXXII THE HONOR AND GLORY OF WHALING
296
LXXXIII JONAH HISTORICALLY REGARDED
299
LXXXIV PITCHPOLING
301
LXXXV THE FOUNTAIN
303
LXXXVI THE TAIL
307
LXXXVII THE GRAND ARMADA
311
LXXXIX FASTFISH AND LOOSEFISH
323
XC HEADS OR TAILS
326
XCI THE PEQUOD MEETS THE ROSEBUD
329
XCII AMBERGRIS
334
XCIII THE CASTAWAY
336
XCIV A SQUEEZE OF THE HAND
340
XCV THE CASSOCK
343
XCVI THE TRYWORKS
345
XCVII THE LAMP
349
XCVIII STOWING DOWN AND CLEARING UP
350
XCIX THE DOUBLOON
353
C LEG AND ARM
358
CI THE DECANTER
364
CII A BOWER IN THE ARSACIDES
368
CIII MEASUREMENT OF THE WHALES SKELETON
372
CIV THE FOSSIL WHALE
374
CV DOES THE WHALES MAGNITUDE DIMINISH? WILL HE PERISH?
377
CVI AHABS LEG
381
CVII THE CARPENTER
383
CVIII AHAB AND THE CARPENTER
386
CIX AHAB AND STARBUCK IN THE CABIN
390
CX QUEEQUEG IN HIS COFFIN
392
CXI THE PACIFIC
397
CXII THE BLACKSMITH
399
CXIII THE FORGE
401
CXIV THE GILDER
404
CXV THE PEQUOD MEETS THE BACHELOR
406
CXVI THE DYING WHALE
408
CXVII THE WHALE WATCH
410
CXVIII THE QUADRANT
412
CXIX THE CANDLES
414
CXX THE DECK TOWARDS THE END OF THE FIRST NIGHT WATCH
419
CXXI MIDNIGHTTHE FORECASTLE BULWARKS
420
CXXII MIDNIGHT ALOFTTHUNDER AND LIGHTNING
422
CXXIII THE MUSKET
423
CXXIV THE NEEDLE
426
CXXV THE LOG AND LINE
429
CXXVI THE LIFEBUOY
432
CXXVII THE DECK
435
CXXVIII THE PEQUOD MEETS THE RACHEL
437
CXXIX THE CABIN
440
CXXX THE HAT
442
CXXXI THE PEQUOD MEETS THE DELIGHT
446
CXXXII THE SYMPHONY
448
CXXXIII THE CHASEFIRST DAY
451
CXXXIV THE CHASESECOND DAY
458
CXXXV THE CHASETHIRD DAY
464
EPILOGUE
473
THE LIFE AND TIMES OF HERMAN MELVILLE
475
FURTHER READING
483
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About the author (2016)

Herman Melville (August 1, 1819 - September 28, 1891) was born into a seemingly secure, prosperous world, a descendant of prominent Dutch and English families long established in New York State. That security vanished when first, the family business failed, and then, two years later, in young Melville's thirteenth year, his father died. Without enough money to gain the formal education that professions required, Melville was thrown on his own resources and in 1841 sailed off on a whaling ship bound for the South Seas. His experiences at sea during the next four years were to form in part the basis of his best fiction. Melville's first two books, Typee (1846) and Omoo (1847), were partly romance and partly autobiographical travel books set in the South Seas. Both were popular successes, particularly Typee, which included a stay among cannibals and a romance with a South Sea maiden. During the next several years, Melville published three more romances that drew upon his experiences at sea: Redburn (1849) and White-Jacket (1850), both fairly realistic accounts of the sailor's life and depicting the loss of innocence of central characters; and Mardi (1849), which, like the other two books, began as a romance of adventure but turned into an allegorical critique of contemporary American civilization. Moby Dick (1851) also began as an adventure story, based on Melville's experiences aboard the whaling ship. However, in the writing of it inspired in part by conversations with his friend and neighbor Hawthorne and partly by his own irrepressible imagination and reading of Shakespeare and other Renaissance dramatists Melville turned the book into something so strange that, when it appeared in print, many of his readers and critics were dumbfounded, even outraged. By the mid-1850s, Melville's literary reputation was all but destroyed, and he was obliged to live the rest of his life taking whatever jobs he could find and borrowing money from relatives, who fortunately were always in a position to help him. He continued to write, however, and published some marvelous short fiction pieces Benito Cereno" (1855) and "Bartleby, the Scrivener" (1853) are the best. He also published several volumes of poetry, the most important of which was Battle Pieces and Aspects of the War (1866), poems of occasionally great power that were written in response to the moral challenge of the Civil War. His posthumously published work, Billy Budd (1924), on which he worked up until the time of his death, became Melville's last significant literary work, a brilliant short novel that movingly describes a young sailor's imprisonment and death. Melville's reputation, however, rests most solidly on his great epic romance, Moby Dick. It is a difficult as well as a brilliant book, and many critics have offered interpretations of its complicated ambiguous symbolism. Darrel Abel briefly summed up Moby Dick as "the story of an attempt to search the unsearchable ways of God," although the book has historical, political, and moral implications as well. Melville died at his home in New York City early on the morning of September 28, 1891, at age 72. The doctor listed "cardiac dilation" on the death certificate. He was interred in the Woodlawn Cemetery in The Bronx, New York, along with his wife, Elizabeth Shaw Melville. Christopher McBride holds a Ph.D. in English from Claremont Graduate University and has taught writing and literature at a number of colleges. He writes about 19th- and 20th-century American literature with an emphasis on travel writers.

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