A Doll's House

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Theatre Communications Group, 2016 - Drama - 124 pages
"The character of Nora has fascinated me for a long time but I felt that the play, in the form I knew, was too dated. I would not have been interested in accepting the part in the Archer version, because the lines were too stiffly artificial and lacked conviction. The Thornton Wilder adaptation, however, has restored life and credibility to a drama, which is still one of the finest efforts in our theatrical literature." -Ruth Gordon, Cincinnati Times-Star, October 27, 1937

"It's a thrill to encounter this collaboration between these two pioneers of modern theater. Wilder has created a brilliant version of Ibsen's great play, which is taut, conversational and pulsing with life nearly eighty years after it was written. Of course, Wilder worked on A Doll's House while writing Our Town. There are incredible echoes between Nora and Emily--two young women who poignantly confront their own mortality and must say good-bye to life as they know it." -Arin Arbus, director, A Doll's House, Theatre for a New Audience, May 1, 2016

Not staged until 2016, since its record-breaking Broadway premiere starring Ruth Gordon in 1937, this is the first publication of the adaptation of Ibsen's classic drama as revitalized through the shrewd lens of American drama master Thornton Wilder. With clarifying dialogue, Wilder uproots this classic from Norway and funnels it through an American lens. The marriage of Ibsen's naturalistic style melds with Wilder's knack for emotional nuance to create a demonstrative edition of the revered A Doll's House.

Henrik Ibsen is often referred to as the father of modern realism. He is most well known for his plays Hedda Gabler, Ghosts, The Master Builder, The Wild Duck, Peer Gynt, and An Enemy of the People.

Thornton Wilder is considered to be one of the most accomplished American playwrights and novelists of the twentieth century. He received three Pulitzer Prize Awards for Our Town (1938), The Skin of Our Teeth (1943) and The Bridge of San Luis Rey (1928). His novel The Eighth Day received The National Book Award in 1968. Our Town is the most-produced American play in the world.

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About the author (2016)

One of the most honored and versatile of modern writers, Thornton Wilder combined a career as a successful novelist with work for the theater that made him one of this century's outstanding dramatists. It was an early short novel, however, that first brought him fame. The Bridge of San Luis Rey (1927), a bestseller that won the Pulitzer Prize in 1927, is the story of a group of assorted people who happen to be on a bridge in Peru when it collapses. Ingeniously constructed and rich in its philosophical implications about fate and synchronicity, Wilder's book would seem to be the first well-known example of a formula that has become a cliche in popular literature. His attraction to classical themes is manifested in The Woman of Andros (1930), a tragedy about young love in pre-Christian Greece, and The Ides of March (1948), set in the time of Julius Caesar and told in letters and documents covering a long span of years. Heaven's My Destination (1934), is a seriocomic and picaresque story about a young book salesman traveling through the Midwest during the early years of the Great Depression.Theophilus North (1973), Wilder's last novel, disappointed many reviewers, but it provided its author with opportunities to offer some wry observations on the life of the idle rich in Newport during the summer of 1926 and to ponder in the story of his alter ego what might have happened if Wilder had stayed home, so to speak, instead of becoming Thornton Wilder. As a serious writer of fiction, Wilder's main claim rests on The Eighth Day (1967), an intellectual thriller, which the N.Y. Times called "the most substantial fiction of his career." It won the National Book Award for fiction in 1968.

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