Prometheus Bound

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Cambridge Scholars Publishing, 2009 - Drama - 48 pages
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907 edition. Excerpt: ... Strike with thy hammer, rivet to the rocks. He. Apace, and not in vain, the work proceeds. St. Smite harder, clinch them fast, leave nothing slack: A chink will serve him, though all doors be barred. 60 He. One arm at least inextricably is fixed. St. Clasp now the other safely: let him learn His wisdom is but dullness, matched with Zeus. He. Except of him, I shall not merit blame. St. Now, stubborn-fanged, an adamantine wedge Drive through his breast and rivet with thy might. He. Ah, I am grieved, Prometheus, for thy pain. St. Lingering again, and for the foes of Zeus Grieved? Have a care, or soon thyself thou'lt pity. He. Thou seest an evil sight for eyes to see. 70 St. I see this fellow punished as befits. Come, round his sides lash now the belly-girths. He. It must be done, thy needless chiding spare. St. Chide thee I shall--yea, hound thee to thy work. Down, and with gyves perforce enring his legs. He. Lo, how with no long toil the work is done. St. Now with thy might smite home the linked fetters: Thou hast no easy taskmaster to please. He. Too well thy accents and thy form accord. St. Be tender-hearted thou, but blame not me, 80 That I am stubborn and implacable. He. The chains are round his limbs; let us be gone. St. Here, if thou canst, insult; and short-lived men Grace with the stolen honours of the gods. Can mortals ease thee of thy load of pain? Prometheus falsely art thou named in heaven, Who rather of a counsellor hast need, How to unlock this cunning handiwork. Prometheus. Bright empyrean, and ye winged winds, Fountains of rivers, and the uncounted smile 90 Of the ocean-waves, and Earth, Mother of all, And the Sun's orb, all-seeing, I invoke-- See me tormented by the gods, a god Behold me, what agony Through the...

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About the author (2009)

Aeschylus was born at Eleusis of a noble family. He fought at the Battle of Marathon (490 b.c.), where a small Greek band heroically defeated the invading Persians. At the time of his death in Sicily, Athens was in its golden age. In all of his extant works, his intense love of Greece and Athens finds expression. Of the nearly 90 plays attributed to him, only 7 survive. These are The Persians (produced in 472 b.c.), Seven against Thebes (467 b.c.), The Oresteia (458 b.c.)---which includes Agamemnon, Libation Bearers, and Eumenides (or Furies) --- Suppliants (463 b.c.), and Prometheus Bound (c.460 b.c.). Six of the seven present mythological stories. The ornate language creates a mood of tragedy and reinforces the already stylized character of the Greek theater. Aeschylus called his prodigious output "dry scraps from Homer's banquet," because his plots and solemn language are derived from the epic poet. But a more accurate summation of Aeschylus would emphasize his grandeur of mind and spirit and the tragic dignity of his language. Because of his patriotism and belief in divine providence, there is a profound moral order to his plays. Characters such as Clytemnestra, Orestes, and Prometheus personify a great passion or principle. As individuals they conflict with divine will, but, ultimately, justice prevails. Aeschylus's introduction of the second actor made real theater possible, because the two could address each other and act several roles. His successors imitated his costumes, dances, spectacular effects, long descriptions, choral refrains, invocations, and dialogue. Swinburne's (see Vol. 1) enthusiasm for The Oresteia sums up all praises of Aeschylus; he called it simply "the greatest achievement of the human mind." Because of his great achievements, Aeschylus might be considered the "father of tragedy."

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