The Three Musketeers

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Dover Publications, May 11, 2007 - Fiction - 560 pages
With its rousing cry of "One for all, and all for one," Alexandre Dumas's thrilling adventure novel has captivated generations of readers since its initial publication in 1844. Action, intrigue, and romance abound in this swashbuckling epic, which traces a country lad's path to the French court of the early 1600s and the glorious fraternity of the king's men, the Musketeers.
A son of impoverished nobility, D'Artagnan arrives in Paris to find the Musketeers disbanded by the cunning Cardinal Richelieu, who hopes to seize power from the weak-willed Louis XIII. The daring and ambitious youth proves his mettle in the company of the famous Musketeers — Porthos, Athos, and Aramis — and joins them in a heroic struggle to defend the king and his lovely queen, Anne of Austria.
Dumas transformed the concept of the historical novel by writing in a modern, conversational style. His accessible, fast-paced narratives combine real and fictional characters to recapture the events, manners, and mood of seventeenth-century France. Emerging in the chaotic aftermath of the Revolution, Dumas's novels provided his contemporaries with a welcome sense of identity and national pride. His most popular work, The Three Musketeers, continues to charm modern readers with its timeless tales of romantic valor.

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Contents

The Three Gifts of M dArtagnan the Elder
1
The Antechamber of M de Tréville
2
The Audience
3
Copyright

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About the author (2007)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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