English Romantic PoetryHarold Bloom, Sterling Professor of Humanities Harold Bloom, Henry W, Albert A Berg From Blake to Coleridge, and Wordsworth to Shelley, this volume provides a critical overview on the poets who defined the English Romantic period. Specific topics such as the forms and characteristics of English Romantic poetry are addressed. |
Contents
Introduction | 1 |
Reflections on Wordsworth and Yeats | 25 |
The Poetics of Prophecy | 43 |
The Ode on a Grecian Urn | 65 |
English Romanticism | 101 |
Phases of English Romanticism | 117 |
Rhyme and the Arbitrarinessof Language | 129 |
The Narrator as Satiric Devicein Don Juan | 149 |
The Imaginative Vision of Kubla Khan | 251 |
Time and Historyin Wordsworth | 265 |
Byron and Shelley | 289 |
The Material Dimensions | 319 |
The Religion of Empire | 337 |
Chronology | 375 |
Contributors | 379 |
Bibliography | 383 |
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Common terms and phrases
aesthetic allegory apocalyptic Babylon beauty Blake Blake's Byron called chaos dragon Christian Coleridge Coleridge's conception consciousness critical death Don Juan dream empire English Romantic epic essay eternal experience expressed Fall of Hyperion feel figure Four Zoas fragment Freud genre harlot Harold Bloom Hartman hope human Ibid ideal imagination intellectual introductory note Jerusalem John John Keats Keats Keats's Kubla Khan language lines literary literature lyric M. H. Abrams metaphor Milton mind Mont Blanc movement mystery myth narrator nature Nightingale passage passion philosophical poem poet’s poetic poetry Prelude Prometheus Unbound prophetic quest question Rahab reader reality Revelation rhetorical rhyme Romantic poets Romanticism Samuel Taylor Coleridge satire says scene seems sensation sense Shelley Shelley's song sonnet spirit stanza structure suggests symbol temporal things thou thought tradition Triumph truth University Press verse vision voice William Wordsworth word Wordsworth Wordsworthian Yahweh