Twenty Years After

Front Cover
General Books LLC, 2010 - History - 482 pages
Excerpt: ...and almost crushed by a gigantic citizen, pricked him with the point of his sword and sent him howling back. Comminges, so to speak, threw Broussel into the carriage and sprang in after him. At this moment a shot was fired and a ball passed through the hat of Comminges and broke the arm of one of the guards. Comminges looked up and saw amidst the smoke the threatening face of Louvieres appearing at the window of the second floor. "Very well, sir," said Comminges, "you shall hear of this anon." "And you of me, sir," said Louvieres; "and we shall see then who can speak the loudest." Friquet and Nanette continued to shout; the cries, the noise of the shot and the intoxicating smell of powder produced their usual maddening effects. "Down with the officer! down with him!" was the cry. "One step nearer," said Comminges, putting down the sashes, that the interior of the carriage might be well seen, and placing his sword on his prisoner's breast, "one step nearer, and I kill the prisoner; my orders were to carry him off alive or dead. I will take him dead, that's all." A terrible cry was heard, and the wife and daughters of Broussel held up their hands in supplication to the people; the latter knew that this officer, who was so pale, but who appeared so determined, would keep his word; they continued to threaten, but they began to disperse. "Drive to the palace," said Comminges to the coachman, who was by then more dead than alive. The man whipped his animals, which cleared a way through the crowd; but on arriving on the Quai they were obliged to stop; the carriage was upset, the horses carried off, stifled, mangled by the crowd. Raoul, on foot, for he had not time to mount his horse again, tired, like the guards, of distributing blows with the flat of his sword, had recourse to its point. But this last and dreaded resource served only to exasperate the multitude. From time to time a shot from a musket or the blade of a rapier flashed among the crowd;...

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About the author (2010)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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