The Return of the Native

Front Cover
W.W. Norton, 2006 - Fiction - 552 pages
It is accompanied by more than 500 editorial footnotes, many new to this edition, that provide essential historical background and glossing of dialect words. Also new to the Second Edition are the twelve illustrations from the novel's first serial publication and Hardy's "Sketch Map of the Scene of the Story," which accompanied the 1878 edition. Again included is the "Map of Wessex of the Novels and Poems" from the 1912 Macmillan Wessex Edition of The Mayor of Casterbridge.Backgrounds and Contexts provides a useful "Glossary of Dialect Words" as well as four essays on the textual and publication history of the novel--including pieces by Simon Gatrell and Andrew Nash--all of which are newly included. Also included are six of Hardy's nonfiction writings on the dialect in the novel, the reading of fiction, and his correspondence, five of which are new to this edition.Criticism provides a selection of contemporary reviews that suggest The Return of the Native's initial reception as well nine of the most influential modern essays on the novel, by Gillian Beer, D. H. Lawrence, Michael Wheeler, Rosemarie Morgan, Donald Davidson, John Peterson, Richard Swigg, Pamela Dalziel, and Jennifer Gribble.A Chronology and Selected Bibliography are also included.

About the author (2006)

Thomas Hardy was born on June 2, 1840, in Higher Bockhampton, England. The eldest child of Thomas and Jemima, Hardy studied Latin, French, and architecture in school. He also became an avid reader. Upon graduation, Hardy traveled to London to work as an architect's assistant under the guidance of Arthur Bloomfield. He also began writing poetry. How I Built Myself a House, Hardy's first professional article, was published in 1865. Two years later, while still working in the architecture field, Hardy wrote the unpublished novel The Poor Man and the Lady. During the next five years, Hardy penned Desperate Remedies, Under the Greenwood Tree, and A Pair of Blue Eyes. In 1873, Hardy decided it was time to relinquish his architecture career and concentrate on writing full-time. In September 1874, his first book as a full-time author, Far from the Madding Crowd, appeared serially. After publishing more than two dozen novels, one of the last being Tess of the d'Urbervilles, Hardy returned to writing poetry--his first love. Hardy's volumes of poetry include Poems of the Past and Present, The Dynasts: Part One, Two, and Three, Time's Laughingstocks, and The Famous Tragedy of the Queen of Cornwall. From 1833 until his death, Hardy lived in Dorchester, England. His house, Max Gate, was designed by Hardy, who also supervised its construction. Hardy died on January 11, 1928. His ashes are buried in Poet's Corner at Westminster Abbey.

Phillip Mallett is Senior Lecturer in English at the University of St. Andrews. He is the author of chapters and articles on a number of Victorian and earlier writers, and editor of several texts and collections of essays, including Kipling Considered, Rudyard Kipling: Limits and Renewals, A Spacious Vision: Essays on Thomas Hardy (with Ronald Draper), Satire, The Achievement of Thomas Hardy, and the Norton Critical Edition of The Mayor of Casterbridge, Second Edition.

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