Emerging Bodies: The Performance of Worldmaking in Dance and ChoreographyGabriele Klein, Sandra Noeth The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day. |
Contents
| 7 | |
| 15 | |
HYBRID SPHERES | 71 |
ART WORLDS | 117 |
DIGITAL WORLDS PROCESSING BODIES | 181 |
WORKING PRINCIPLES | 223 |
Other editions - View all
Emerging Bodies: The Performance of Worldmaking in Dance and Choreography Gabriele Klein,Sandra Noeth No preview available - 2011 |
Common terms and phrases
20th century Abidjan action aesthetic African Anna Huber Antonioni architectural artistic audience Bel’s body Brandstetter camera choreographic object cinematic collaboration collective complex complicity concept contemporary dance context coulisses create creative cultural dance and choreography dance in film dance scene dancers danseuse developed discourse dramaturgy example experience Faustin film Flat Thing Forsythe Company Forsythe’s frame Frankfurt am Main GABRIELE KLEIN gesture global Hamburg ideas interaction IRCAM Ivorian Ivory Coast JÉRÔME kinaesthetic Kisangani Klunchun knowledge Logobi ment Michelangelo Antonioni modern MONIKA GINTERSDORFER motion move movement museum networks Number one’s performance perspective physical piece political position potential practice present production question reality relationship representation Roland Barthes role SANDRA NOETH Schrift sense social society space spatial specific spectator stage structure Synchronous Objects theater theory tion translation Trisha Brown visual Walter Benjamin William Forsythe worldmaking writing