Le rouge et le noir

Front Cover
Gallimard, 2000 - Education - 825 pages
Après trente ans de travail acharné, Stendhal est digne d'improviser ; il sait peindre d'un premier trait, d'un seul trait. Il a lentement créé cet instrument de prose rapide, qui est lui-même : son style le plus parfait est devenu sa voix naturelle. L'originalité n'est plus un but qu'il se propose : elle est en lui... La revanche imaginaire, ce rêve de compensation qui succède à la douleur de l'échec et en marque la convalescence, est un des excitants les plus forts de l'imagination créatrice. C'est sous cet aspect de revanche imaginaire qu'il faut voir la transposition de Stendhal en Julien, la beauté de Julien, sa minceur. Les souvenirs directs gardent leur accent secret et déchirant parce qu'ils sont placés parmi les enthousiasmes de la revanche imaginaire.

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About the author (2000)

One of the great French novelists of the nineteenth century, Stendhal (pseudonym for Marie-Henri Beyle) describes his unhappy youth with sensitivity and intelligence in his autobiographical novel The Life of Henri Brulard. It was written in 1835 and 1836 but published in 1890, long after his death. He detested his father, a lawyer from Grenoble, France, whose only passion in life was making money. Therefore, Stendhal left home as soon as he could. Stendhal served with Napoleon's army in the campaign in Russia in 1812, which helped inspire the famous war scenes in his novel The Red and the Black (1831). After Napoleon's fall, Stendhal lived for six years in Italy, a country he loved during his entire life. In 1821, he returned to Paris for a life of literature, politics, and love affairs. Stendhal's novels feature heroes who reject any form of authority that would restrain their sense of individual freedom. They are an interesting blend of romantic emotionalism and eighteenth-century realism. Stendhal's heroes are sensitive, emotional individuals who are in conflict with the society in which they live, yet they have the intelligence and detachment to analyze their society and its faults. Stendhal was a precursor of the realism of Flaubert. He once described the novelist's function as that of a person carrying a mirror down a highway so that the mirror would reflect life as it was, for all society.