The Prairie: A Tale

Front Cover
State University of New York Press, 1985 - Fiction - 566 pages
In the spring of 1826, soon after the publication of The Last of the Mohicans, James Fenimore Cooper immersed himself in The Prairie. In taking Natty Bumppo from his beloved forests of New York state to the Great American Plains, Cooper was in part fulfilling his own prophecy at the end of The Pioneers. Though he was certainly recalling the periodic westward removals of Daniel Boone, one of the prototypes of Natty Bumppo, he was also responding to the ever-increasing public interest in Jefferson's Louisiana Purchase.

No characterization more clearly exhibits the firmness of Cooper's vision than that of Natty Bumppo. As his colossal entrance implies, Cooper has reconceived him, and through him, the world in which he moves. Though descended from the garrulous hunter of The Pioneers and reduced to the lowly occupation of a trapper, his moral stature has undergone an apotheosis. Though he is again in The Prairie the loyal guide he was in The Last of the Mohicans, his words here take on even more striking moral force. He is both the spokesman for and the representation of, the most basic rhythm of existence, the natural cycle of life which must end in death.

The metaphor of the prairie as the sea, shaped by Cooper's meditation on the relationships between Nature, God, and Man, seems to have had a fertile hold on his imagination. The sea is, as he knew by personal experience, a place of isolation and emptiness on whose surface man lives a precarious life. Imagistically Cooper's plot sets his little bands--the groups of outcasts led by Natty, Ishmael's family, the Sioux, and the Pawnees--to converge and tack away from each other. There is also much in the bursts of action--escapes, captures, shifting alliances, steering by moonlight--that evokes sea life. This same metaphor also points us to a central theme of The Prairie. Beyond the fast-paced action, the novel becomes a meditation on the ways of establishing justice between men.

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Contents

The Prairie
9
Textual Commentary
389
Note on the Manuscripts
413
Copyright

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About the author (1985)

James Fenimore Cooper, acclaimed as one of the first American novelists, was born in Burlington, N.J., on September 15, 1789. When he was one year old, his family moved to Cooperstown, N.Y., which was founded by his father. Cooper attended various grammar schools in Burlington, Cooperstown, and Albany, and entered Yale University in 1803 at the age of 13. In 1806, Cooper was expelled from Yale for pushing a rag with gunpowder under a classmate's door, causing it to explode. He then spent some time as a merchant seaman and served as a midshipman in the U.S. Navy from 1808-1811. In 1811, Cooper married Susan De Lancey, and lived the life of a country gentleman until one day in 1820. Cooper and his wife were reading a book together. When Cooper told Susan that he could write a better book than the one they were reading, she challenged him to do so. Thus began his career as an author, with Precaution (first published anonymously). Cooper is known for writing more than 50 works under his own name, Jane Morgan, and Anonymous. His works included fiction, nonfiction, history, and travel sketches. He gained insight for his travel works while the Cooper family lived in Europe from 1826 to 1833. Cooper is best known for the novel The Last of The Mohicans, which has been made into several motion picture adaptations, the most recent starring Daniel Day-Lewis as Hawkeye. The Last of the Mohicans is part of The Leatherstocking Tales, which includes the other novels, The Pioneers, The Deerslayer, and The Pathfinder. Hawkeye, whose given name is Nathaniel Bumpo, is a recurring character in the series which accurately chronicles early American pioneering life and events during the French and Indian War. In 1851, Cooper developed a liver condition, dying on September 14th of that year, just one day before his 62nd birthday.

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