The Sorrows of Young Werther

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Courier Corporation, Mar 27, 2012 - Fiction - 96 pages

One of the world's first bestsellers, this tragic masterpiece attained an instant and lasting success upon its 1774 publication, catapulting the author to the forefront of the German literary movement known as Sturm und Drang. A burst of parodies, operas, poems, and plays based on The Sorrows of Young Werther rapidly ensued, along with the cultlike following of young romantics across Europe who affected the manner of the novel's passionate and self-destructive hero.
Young Werther bares his soul to readers in the form of alternately joyful and despairing letters about his unrequited love. His story marks the initial great achievement of what has since been termed "confessional" literature; Goethe, who based the story in part on his own unhappy love affair, acknowledged a sense of freedom upon completing the work. A sensitive exploration of the mind of a young artist, the tale addresses age-old questions — the meaning of love, of death, and the possibility of redemption — in the exuberant language of youth.
"Werther appeared to seize the hearts of men in all quarters of the world, and to utter for them the word which they had long been waiting to hear," observed the Victorian sage Thomas Carlyle. Indeed, Goethe's portrayal of Zerrissenheit, "the state of being torn apart, in which a character struggles to reconcile his artistic sensibilities with the demands of the objective world, proved tremendously influential to subsequent writers, and The Sorrows of Young Werther continues to speak to modern readers.

 

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Contents

Section 1
1
Section 2
40
Section 3
65
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About the author (2012)

Johann Wolfgang von Goethe, 1749-1832 Johann Wolfgang von Goethe was born in Frankfurt am Main. He was greatly influenced by his mother, who encouraged his literary aspirations. After troubles at school, he was taught at home and gained an exceptionally wide education. At the age of 16, Goethe began to study law at Leipzig University from 1765 to 1768, and he also studied drawing with Adam Oeser. After a period of illness, he resumed his studies in Strasbourg from 1770 to 1771. Goethe practiced law in Frankfurt for two years and in Wetzlar for a year. He contributed to the Frankfurter Gelehrte Anzeigen from 1772 to 1773, and in 1774 he published his first novel, self-revelatory Die Leiden des Jungen Werthers. In 1775 he was welcomed by Duke Karl August into the small court of Weimar, where he worked in several governmental offices. He was a council member and member of the war commission, director of roads and services, and managed the financial affairs of the court. Goethe was released from day-to-day governmental duties to concentrate on writing, although he was still general supervisor for arts and sciences, and director of the court theatres. In the 1790s Goethe contributed to Friedrich von Schiller ́s journal Die Horen, published Wilhelm Meister's Apprenticeship, and continued his writings on the ideals of arts and literature in his own journal, Propyläen. The first part of his masterwork, Faust, appeared in 1808, and the second part in 1832. Goethe had worked for most of his life on this drama, and was based on Christopher Marlowe's Faust. From 1791 to 1817, Goethe was the director of the court theatres. He advised Duke Carl August on mining and Jena University, which for a short time attracted the most prominent figures in German philosophy. He edited Kunst and Altertum and Zur Naturwissenschaft. Goethe died in Weimar on March 22, 1832. He and Duke Schiller are buried together, in a mausoleum in the ducal cemetery.

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