Awakening

Front Cover
Women's Press, 1981 - Fiction
"The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth."

The Awakening follows Edna Pontellier, a resident of coastal Grand Isle of Louisiana, in her late twenties, who has a quintessential set-up for a content housewife. Indeed, her husband makes good money, and her daily routine should gleefully hinge on the two children, but, Edna is neither a self-sacrificing mother, nor a devoted wife. Instead, she is gradually awoken to rebel against this 'perfect set-up'. Edna finds herself in the middle of two extremes. On one hand, she finds selfless Madame Ratignolle, who is a model wife. On the other, there is dejected Mademoiselle Reisz, who pursues her artistic aspiration in solitude. While taking bold decisions and carving her niche, she explores her sexuality with a womanizer, Alcee and an intimate understanding with a young man, Robert Lebrun. Will this awakening predetermine her ultimate happiness or signpost personal tragedy? Will the duality of the 'outward existence' and 'inward life' be reconciled for Edna to signify her emancipation?

This short novel is widely acknowledged to do both, encapsulating the features of fin de siècle realism in its linear narrative, and anticipates literary modernism of the early twentieth century. Edna's defiance of the American alternative of Victorian 'Angel in the House' is reminiscent of such classics as Anna Brontë's Tenant of the Wildfell Hall. The Awakening also procures modernist works where the heroines look for the self - namely, Mrs Dalloway, Their Eyes Were Watching God and The Bell Jar. The condensed and intense prose style gives the novel a cryptic charm in line with Fitzgerald's classic, The Great Gatsby. Besides, vivid natural symbolism of water, birds and the moon are the calling card of the novel that enhances its level of ambiguity and multivalence.

The Legend Classics series:
Around the World in Eighty Days
The Adventures of Huckleberry Finn
The Importance of Being Earnest
Alice's Adventures in Wonderland
The Metamorphosis
The Railway Children
The Hound of the Baskervilles
Frankenstein
Wuthering Heights
Three Men in a Boat
The Time Machine
Little Women
Anne of Green Gables
The Jungle Book
The Yellow Wallpaper and Other Stories
Dracula
A Study in Scarlet
Leaves of Grass
The Secret Garden
The War of the Worlds
A Christmas Carol
Strange Case of Dr Jekyll and Mr Hyde
Heart of Darkness
The Scarlet Letter
This Side of Paradise
Oliver Twist
The Picture of Dorian Gray
Treasure Island
The Turn of the Screw
The Adventures of Tom Sawyer
Emma
The Trial
A Selection of Short Stories by Edgar Allan Poe
Grimm Fairy Tales
The Awakening
Mrs Dalloway
Gulliver's Travels
The Castle of Otranto
Silas Marner
Hard Times

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About the author (1981)

Kate Chopin (1850-1904) was born in St Louis, Missouri into a devout Catholic family. She began to write as a widowed mother of six producing over a hundred short stories that have since been anthologized for their psychological charge and tropes of female liberation. Among her most acclaimed short works of fiction are 'The Story of an Hour', 'The Storm' and 'A Pair of Silk Stockings'. Chopin's writing was influenced by some key realists of the era, in particular, Guy de Maupassant. Her novel The Awakening was rediscovered before the second wave of feminism after spending half a century in literary oblivion. The reason for such a belated recognition were harsh reviews from the male-dominated criticism of the age for the novel's content matter. Her distilled prose helps to reveal the core of the female psyche that underpins the literary vitality of this work and Chopin's entire oeuvre.

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