The Vicar of Wakefield

Front Cover
General Books LLC, 2012 - 142 pages
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ... the strolling company that I mentioned before, who was come to dispose of tickets for the Pair Penitent, which was to be acted that evening: the part of Horatio by a young gentleman who had never appeared on any stage. He seemed to be very warm in the praises of the new performer, and averred that he never saw any who bid so fair for excellence. Acting, he observed, was not learned in a day; 'but this gentleman, ' continued he, 'seems born to tread the stage. His voice, his figure, and attitudes are all admirable. We caught him up accidentally in our journey down.' This account in some measure excited our curiosity, and, at the entreaty of the ladies, I was prevailed upon to accompany them to the play-house, which was no other than a barn. As the company with which I went was incontestably the chief of the place, we were received with the greatest respect, and placed in the front seat of the theatre, where we sat for some time with no small impatience to see Horatio make his appearance. The new performer advanced at last; and let parents think of my sensations by their own, when I found it was my unfortunate son! He was going to begin; when, turning his eyes upon the audience, he perceived Miss Wilmot and me, and stood at once speechless and immovable. The actors behind the scene, who ascribed this pause to his natural timidity, attempted to encourage him; but instead of going on, he burst into a flood of tears, and retired off the stage. I don't know what were my feelings on this occasion, for they succeeded with too much rapidity for description; but I was soon awaked from this disagreeable reverie by Miss Wilmot, who, pale, and with a trembling voice, desired me to conduct her back to her uncle's. When got home, Mr. Arnold, who was as yet a...

About the author (2012)

As Samuel Johnson said in his famous epitaph on his Irish-born and educated friend, Goldsmith ornamented whatever he touched with his pen. A professional writer who died in his prime, Goldsmith wrote the best comedy of his day, She Stoops to Conquer (1773). Amongst a plethora of other fine works, he also wrote The Vicar of Wakefield (1766), which, despite major plot inconsistencies and the intrusion of poems, essays, tales, and lectures apparently foreign to its central concerns, remains one of the most engaging fictional works in English. One reason for its appeal is the character of the narrator, Dr. Primrose, who is at once a slightly absurd pedant, an impatient traditional father of teenagers, a Job-like figure heroically facing life's blows, and an alertly curious, helpful, loving person. Another reason is Goldsmith's own mixture of delight and amused condescension (analogous to, though not identical with, Laurence Sterne's in Tristram Shandy and Johnson's in Rasselas, both contemporaneous) as he looks at the vicar and his domestic group, fit representatives of a ludicrous but workable world. Never married and always facing financial problems, he died in London and was buried in Temple Churchyard.

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