The Man in the Iron Mask

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Wilder Publications, Incorporated, 2014 - Fiction - 896 pages
Complete and unabridged. The Count of Monte Cristo takes place in France, Italy, and islands in the Mediterranean during the historical events of 1815-1838, beginning from just before the Hundred Days period (when Napoleon returned to power after his exile) and spanning through to the reign of Louis-Philippe of France. In 1815 Edmond Dantès, a young and successful merchant sailor who has just recently been granted the succession of his erstwhile captain Leclère, returns to Marseille to marry his fiancée Mercédès. Leclère, a supporter of the exiled Napoléon I, found himself dying at sea and charged Dantès to deliver two objects: a package to Marshall Bertrand, and a letter from Elba to an unknown man in Paris. On the eve of his wedding to Mercédès, there is an anonymous note accusing Dantès of being a Bonapartist traitor. Caderousse, Dantès' cowardly and selfish neighbor, is drunk while the conspirators set the trap, and while he objects to the idea of hurting Dantès, he stays quiet when Dantès is arrested then sentenced, even though his testimony could have stopped the entire scandal from happening. The deputy crown prosecutor in Marseille, while initially sympathetic to Dantès, destroys the letter from Elba when he discovers that it is addressed to his own father, a Bonapartist. In order to silence Dantès, he condemns him without trial to life imprisonment.

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About the author (2014)

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

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